A classic cowboy saga is transformed into a complex, sophisticated morality play.
A tale of violence and redemption in the Australian Outback.
In this sequel to Only Killers and Thieves (2018), Howarth carries the story of brothers Billy and Tommy McBride forward following their involvement as teenagers in the unprovoked massacre of members of an Aboriginal tribe after the murders of their parents and sister. Billy has married and become a prosperous Queensland cattle rancher while the younger and more sensitive Tommy assumes a new identity and roams Australia’s vast open spaces on perilous cattle drives. Haunting both men are memories of their role in the mass slaughter, conducted at the direction of Edmund Noone, the brutal commander of the Native Police, an organization notorious in Australian history for carrying out genocidal attacks, euphemistically referred to as “dispersals,” against Indigenous peoples. Noone has successfully suppressed the evidence of his blood-soaked past while rising to respectability as Brisbane’s police commissioner. When ambitious young lawyer Henry Wells, threatened by the risk of disclosure of his own secret, embarks on a single-handed effort to prompt a full government inquest into the long-ago incident, the McBrides and Noone must weigh the risks of exposure against the demands of conscience. In settings that range from the harsh beauty of the Australian countryside, “a place that [couldn’t] be tamed,” to the tension of a packed small-town courtroom, their starkly differing responses provide the energy of the novel’s often violent but far from predictable second half. Fast-paced and brimming with colorful, realistic detail, it also paints a vivid portrait of colonial Australia in the midst of its transition to independence as the 20th century begins while posing disturbing questions about the country’s historic cruelty to its Native inhabitants.
A classic cowboy saga is transformed into a complex, sophisticated morality play.Pub Date: June 8, 2021
ISBN: 978-0-06-307-600-6
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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