by Paul JC Edge ‧ RELEASE DATE: Aug. 27, 2025
A modern crime story chock-full of bloody twists and turns.
In Edge’s police thriller, officers investigate a string of troubling suicides.
Claire Gorwen is a detective constable in Manchester, England. Claire, with her Persian cat, Stinkball, and her “battered Ford Fiesta,” is not the most intimidating law enforcement officer. At the outset of the story, she is assigned to look into a home break-in where it seems nothing was stolen. Soon, though, she is assisting straitlaced homicide detective Jim Kendall in doing some “real detective work.” The duo investigates a string of suspicious suicides. One victim, a competent scientist, died from an overdose of her own blood pressure medication—Jim points out, “Why would someone take blood pressure meds to commit suicide, it’s simply ridiculous?” All of the victims worked for a business called Transplant Innovations. It is a company with some morally questionable ideas, such as plans to grow “whole human bodies” in order to harvest organs “for their overly rich clients.” Things take a dark turn for Claire when her fellow police officer Stella Claypool is murdered in an unimaginably horrific way; Claire is informed that the people who killed Stella may be after her. With a lengthy prologue followed by an extensive description of a burglary (which includes dense passages like “The dark figure crawled across the drive, using the cover of a haphazardly parked Mercedes coupe, the compressed air pistol made virtually no noise as part of the plastic housing of the camera exploded”), it takes the story some time to get up and running. However, once Claire learns the circumstances of Stella’s death, all bets are off as to what will come next. Readers will be compelled to discover how new developments will fit in with what has come before, particularly as characters encounter things like “eviscerated guts [that] hung down like tentacles.” Even if some of the early pacing lags, there are riveting, gruesome surprises in store for those who power through.
A modern crime story chock-full of bloody twists and turns.Pub Date: Aug. 27, 2025
ISBN: 9798262481378
Page Count: 366
Publisher: N/A
Review Posted Online: Oct. 27, 2025
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
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185
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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