The British author of Enemies of Society (1977), a diatribe against Freudianism and Marxism, has cast his likes and dislikes in a historical narrative. He is partial to Warren Harding and Calvin Coolidge, whose public philosophy appeared to possess a degree of concordance with the actual facts of life which was rare in human experience—in this case, laissez faire combined with enrichissez vous. On the other hand: Marx's invention of the 'bourgeoisie' was the most comprehensive of. . . hate-theories and it has continued to provide a foundation for all paranoid revolutionary movements, whether fascist-nationalist or Communist-internationalist. Modern theoretical anti-Semitism was a derivative of Marxism. This comes in a chapter on the rise of Hitler. Another egregious utterance is the offhand comment, in a discussion of early-1930s Cambridge, that Lytton Strachey confided to Keynes, with whom he was already competing for the affections of handsome young men. Since the topic is the importance of friendship to this group, and the paragraph ends with E. M. Forster's famous line about choosing friendship over patriotism, Johnson has managed to feed the can't trust a homosexual school of public policy along with his more deep-seated prejudices (which he groups under the heading of moral relativism). The result is that all of Johnson's historical judgments are suspect. He muddies things by claiming that the Left was the first political grouping in Spain to resort to violence in what became the Spanish Civil War (the violence being strikes), and points out that the Popular Front received less than 50 percent of the vote in 1936, making it less than completely legitimate. On Vietnam, he argues that the United States shouldn't have gotten so involved, but then should have occupied the North (how?). The 20th century as a whole is to Johnson one long and unsuccessful attempt at social engineering from which he would like to retreat. Cankerous.

Pub Date: June 1, 1983

ISBN: 0060922834

Page Count: 870

Publisher: Harper & Row

Review Posted Online: Oct. 11, 2011

Kirkus Reviews Issue: June 1, 1983

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.


A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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