A savory treat for sci-fi/fantasy readers.


From the author of The Vagrant Chronicle (2012) comes a post-apocalyptic Western in which a tortured hero struggles to separate illusion from reality.

Thousands of years in the future, the Earth has been scorched by a hyperactive sun. Australia remains the only habitable continent, where a frontier-style civilization prevails. In the town of Desonas, Flint Cross lives with his wife, Amanda, and their two children. Flint’s harsh existence is made worse by Amanda’s confrontational attitude and the dreams about a woman named Hamarah that plague him. The town marshal asks Flint to hunt down a former ally named Browder, claiming that he’s murdered some aboriginal Australians. But when our hero catches up with Browder, the man warns Flint that life in Desonas is an illusion. To break the spell, he must stop eating the fruit called “bush tucker.” To cope with this startling revelation, Flint enlists the Aborigine Yeramba to guide him through the psychic realm of the dreamtime. There, Flint encounters not just Hamarah, but also a hidden aspect of himself. They offer information about the man Flint once was—a warrior named Ethan—who’s being punished by living in the elaborate lie that is Desonas. Should Flint escape his prison, leaving behind the children he loves? Experienced fantasist Centeno triumphantly celebrates the many pulpy facets of the genre. His broody narrative is ripe with nasty creatures (the lurken), pale kings (the evil Pardashan) and psychological hellscapes. An agile prose conveys it all fantastically: “The creature’s head exploded; then its body burst into a glob of slime that enveloped Flint.” Centeno’s dialogue is just as rich, and our introduction to Pardashan is exceptional; he tells our hero, “[Y]ou will remember my name until you scream and croak as a spit of meat on my dinner table!” A few slow moments occur when Flint explores his psychic trauma; he questions reality so often it starts to feel repetitive. Beyond that, Centeno offers an inventive, emotionally resonant adventure.

A savory treat for sci-fi/fantasy readers.

Pub Date: June 18, 2014

ISBN: 978-1497470880

Page Count: 284

Publisher: CreateSpace

Review Posted Online: Sept. 2, 2014

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A breezy and fun contemporary fantasy.


A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 11, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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