Lisicky built, and rebuilt and rebuilt, until it felt good to be in his skin. Famous Builder shows the same urge to grapple...
In an offbeat memoir, Lisicky (Lawnboy, not reviewed) takes dense, obsessed bites from his past and deposits them at the feet of his readers for them to marvel over how he got from there to here.
While growing up in southern New Jersey during the 1960s, in a world of sprawling housing developments, Lisicky wants to be a great builder, like Bill Levitt: “I want those who drive through my communities to be socked in the head with the sheer beauty of all they see.” (Later, when he meets Levitt—or is this just a piece of creative nonfiction?—he says to the mogul, “You gave style to the masses,” and the builder responds: “The masses are asses.”) He’s aware of the stress under Levitt’s veneer, but Lisicky hopes to imbue his work with elegance and understated good taste. He: “All developers do is rip people off. I’m going to be a musician and a composer.” And he does, changing over from construction to liturgical composition, not that the housing developments haven’t left their mark. Through his teens and early 20s, he writes church music—his work is even published—and he discovers a gay sexuality. The sexuality survives, but not the future in music: it had felt right when the church was as much about hope as fear; but now, in its conservative Dark Ages, he asks how he could “ignore charges of colluding with the enemy” should he return to liturgical composition. There are riffs on neighbors, clothing, and college, each snapping the reader to attention after having been lost in one of Lisicky’s long, atmospheric tableaux of family—where the warmth of the reflections and steady pulse of humor suggest Lisicky wasn’t an unhappy boy, nor an unobservant one.
Lisicky built, and rebuilt and rebuilt, until it felt good to be in his skin. Famous Builder shows the same urge to grapple and illuminate.Pub Date: Oct. 1, 2002
ISBN: 1-55597-369-8
Page Count: 200
Publisher: Graywolf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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