Bombay lawyer George Sansi's third case (The Ganja Coast, 1995, etc.) pits him against the unstoppably wealthy and unspeakably corrupt industrialist behind a monstrous chemical disaster. Compared to the Union Carbide accident at Bhopal, the disaster caused by phosphorus spilled into the Ganges at Varanasi is no big deal—a mere 1,100 dead and 4,000 wounded. But to Sansi's old friend Rupe Seshan, newly appointed minister for environment, it's exactly the routine nature of the tragedy that's most insidious. Determined to expose the culprits before their criminal carelessness becomes a model for corporate greed, she appoints incorruptible Supreme Court Judge Kusheed Pilot to head a commission and, with the help of circumspect hints about deporting Sansi's lover, Times of India reporter Annie Ginnaro, bullies him into heading the investigation. It's no secret who's behind the spill—wily Madhuri Amlani, founder and CEO of Renown Oil and dozens of other indefensible, untouchable industries. But Amlani, who's had six months to get braced for the investigation, has armored himself with an army of cat's paws, cutouts, forged documents, bribes, and perjuries so audacious that Sansi hasn't a hope of getting at him. His latest stunt: getting indiscreet photos of Rupe and Sansi—who've now finally consummated their childhood infatuation—which are bound to compromise Sansi and chase the investigation off the front pages, and Annie from her job at the Times when she's asked to write up the story. Running rings around his stifled children, the gangster former boyfriend of his son Joshi's starlet inamorata (a sadly abortive subplot, this one), and the naive American sharpies planning to capitalize Renown Oil out from under him, Amlani steamrolls Sansi, Rupe, and Judge Pilot, clearly unconquerable by anyone with the minutest scruples. Will stolid Sansi put aside his legal training to reel him in? In the end, Sansi stays technically virtuous as ever, but casting him as the unmoved eye of this teeming, miasmal Indian storm makes his latest adventure his richest yet.
Pub Date: Nov. 1, 1996
ISBN: 0-449-90770-8
Page Count: 368
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1996
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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