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THE BURNING GHATS

Bombay lawyer George Sansi's third case (The Ganja Coast, 1995, etc.) pits him against the unstoppably wealthy and unspeakably corrupt industrialist behind a monstrous chemical disaster. Compared to the Union Carbide accident at Bhopal, the disaster caused by phosphorus spilled into the Ganges at Varanasi is no big deal—a mere 1,100 dead and 4,000 wounded. But to Sansi's old friend Rupe Seshan, newly appointed minister for environment, it's exactly the routine nature of the tragedy that's most insidious. Determined to expose the culprits before their criminal carelessness becomes a model for corporate greed, she appoints incorruptible Supreme Court Judge Kusheed Pilot to head a commission and, with the help of circumspect hints about deporting Sansi's lover, Times of India reporter Annie Ginnaro, bullies him into heading the investigation. It's no secret who's behind the spill—wily Madhuri Amlani, founder and CEO of Renown Oil and dozens of other indefensible, untouchable industries. But Amlani, who's had six months to get braced for the investigation, has armored himself with an army of cat's paws, cutouts, forged documents, bribes, and perjuries so audacious that Sansi hasn't a hope of getting at him. His latest stunt: getting indiscreet photos of Rupe and Sansi—who've now finally consummated their childhood infatuation—which are bound to compromise Sansi and chase the investigation off the front pages, and Annie from her job at the Times when she's asked to write up the story. Running rings around his stifled children, the gangster former boyfriend of his son Joshi's starlet inamorata (a sadly abortive subplot, this one), and the naive American sharpies planning to capitalize Renown Oil out from under him, Amlani steamrolls Sansi, Rupe, and Judge Pilot, clearly unconquerable by anyone with the minutest scruples. Will stolid Sansi put aside his legal training to reel him in? In the end, Sansi stays technically virtuous as ever, but casting him as the unmoved eye of this teeming, miasmal Indian storm makes his latest adventure his richest yet.

Pub Date: Nov. 1, 1996

ISBN: 0-449-90770-8

Page Count: 368

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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