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THE BURNING GHATS

Bombay lawyer George Sansi's third case (The Ganja Coast, 1995, etc.) pits him against the unstoppably wealthy and unspeakably corrupt industrialist behind a monstrous chemical disaster. Compared to the Union Carbide accident at Bhopal, the disaster caused by phosphorus spilled into the Ganges at Varanasi is no big deal—a mere 1,100 dead and 4,000 wounded. But to Sansi's old friend Rupe Seshan, newly appointed minister for environment, it's exactly the routine nature of the tragedy that's most insidious. Determined to expose the culprits before their criminal carelessness becomes a model for corporate greed, she appoints incorruptible Supreme Court Judge Kusheed Pilot to head a commission and, with the help of circumspect hints about deporting Sansi's lover, Times of India reporter Annie Ginnaro, bullies him into heading the investigation. It's no secret who's behind the spill—wily Madhuri Amlani, founder and CEO of Renown Oil and dozens of other indefensible, untouchable industries. But Amlani, who's had six months to get braced for the investigation, has armored himself with an army of cat's paws, cutouts, forged documents, bribes, and perjuries so audacious that Sansi hasn't a hope of getting at him. His latest stunt: getting indiscreet photos of Rupe and Sansi—who've now finally consummated their childhood infatuation—which are bound to compromise Sansi and chase the investigation off the front pages, and Annie from her job at the Times when she's asked to write up the story. Running rings around his stifled children, the gangster former boyfriend of his son Joshi's starlet inamorata (a sadly abortive subplot, this one), and the naive American sharpies planning to capitalize Renown Oil out from under him, Amlani steamrolls Sansi, Rupe, and Judge Pilot, clearly unconquerable by anyone with the minutest scruples. Will stolid Sansi put aside his legal training to reel him in? In the end, Sansi stays technically virtuous as ever, but casting him as the unmoved eye of this teeming, miasmal Indian storm makes his latest adventure his richest yet.

Pub Date: Nov. 1, 1996

ISBN: 0-449-90770-8

Page Count: 368

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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