This tumultuous romp, which shifts rapidly from one character’s viewpoint to another, is anchored by Trevena, whose warmth...

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THE NIGHT CLOCK

British psychiatric nurse Phil Trevena’s patients are dying, a frightening prelude to the potential loss of all reality—unless he and a time traveler named Daniel can rebuild the clock that commands the Dark Time flux.

Known for his fractured-reality short stories (Dogs With Their Eyes Shut, 2013, etc.), Meloy often mixes comedy and terror, as he does in this debut novel, in which the “devil-in-dreams,” a malevolent force, corrupts some of the Firmament Surgeons—those charged with keeping “the mechanisms of Creation running against the entropy arising from the fall of man”—into Autoscopes, who wage the paranormal Autosomachy war against hope. Linking both death and unmotivated violence to the theft of dreams (echoing Neil Gaiman's The Ocean at the End of the Lane), Meloy builds a complex, confusing puzzle while deploying a muscular, humorous, profane voice, which can sometimes backfire. Take this image of “an elderly lady, kyphotic and bandy….” Kyphotic? Technically accurate, yet it stops a reader cold. Whether he links a mass shooting to a man-turned–crazed fish who rides a Mad Max–inspired armored mobility scooter or shows us how a psychiatric patient, Daniel, is really the time-altering “hypnopomp,” Meloy utilizes a daunting array of genre favorites: a zombie; talking animals; murderous, semiorganic machinery; vitreosaurs; a train named the Railgrinder (a nod to Railsea?); and Dune-like Dr. Natus, a living fetus in a bottle, “a dead baby with the mind of a god.”

This tumultuous romp, which shifts rapidly from one character’s viewpoint to another, is anchored by Trevena, whose warmth provides needed emotional continuity in a shocking, roiling, but imitative quest to protect human dreams.

Pub Date: Nov. 10, 2015

ISBN: 978-1-78108-375-8

Page Count: 384

Publisher: Solaris

Review Posted Online: Aug. 18, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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Real events like the Vietnam draft and Stonewall uprising enter the characters' family history as well as a stunning plot...

THE RULES OF MAGIC

The Owens sisters are back—not in their previous guise as elderly aunties casting spells in Hoffman’s occult romance Practical Magic (1995), but as fledgling witches in the New York City captured in Patti Smith's memoir Just Kids.

In that magical, mystical milieu, Franny and Bridget are joined by a new character: their foxy younger brother, Vincent, whose “unearthly” charm sends grown women in search of love potions. Heading into the summer of 1960, the three Owens siblings are ever more conscious of their family's quirkiness—and not just the incidents of levitation and gift for reading each other's thoughts while traipsing home to their parents' funky Manhattan town house. The instant Franny turns 17, they are all shipped off to spend the summer with their mother's aunt in Massachusetts. Isabelle Owens might enlist them for esoteric projects like making black soap or picking herbs to cure a neighbor's jealousy, but she at least offers respite from their fretful mother's strict rules against going shoeless, bringing home stray birds, wandering into Greenwich Village, or falling in love. In short order, the siblings meet a know-it-all Boston cousin, April, who brings them up to speed on the curse set in motion by their Salem-witch ancestor, Maria Owens. It spells certain death for males who attempt to woo an Owens woman. Naturally this knowledge does not deter the current generation from circumventing the rule—Bridget most passionately, Franny most rationally, and Vincent most recklessly (believing his gender may protect him). In time, the sisters ignore their mother's plea and move to Greenwich Village, setting up an apothecary, while their rock-star brother, who glimpsed his future in Isabelle’s nifty three-way mirror, breaks hearts like there's no tomorrow. No one's more confident or entertaining than Hoffman at putting across characters willing to tempt fate for true love.

Real events like the Vietnam draft and Stonewall uprising enter the characters' family history as well as a stunning plot twist—delivering everything fans of a much-loved book could hope for in a prequel.

Pub Date: Oct. 10, 2017

ISBN: 978-1-5011-3747-1

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: Aug. 6, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

A BLIGHT OF BLACKWINGS

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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