Next book

SEVILLE

An elaborate entertainment that might have benefited from a tighter presentation.

In Mendelson’s novel, a bored married couple return to the Spanish city where they honeymooned—and meet younger versions of themselves.

William Sutherland, a Scottish marketing consultant in Surrey, and his Spanish wife, Luisa, a paper conservator, celebrate their 30th wedding anniversary in 2025 by returning to the city of Seville, Spain, renewing the bond they cemented when they married three decades ago. Back then, William aspired to be a novelist, not the jaded marketer he is now, and artist Luisa felt more upbeat. Are they the same people they were when they first fell in love? The question would, ordinarily, remain hypothetical, except that this is no ordinary holiday: “William Sutherland feels like an idiot right now. Or perhaps a madman. Because standing directly in front of him…is his wife, Luisa Sutherland. Yet not as she is today. He is staring…into the perfectly entrancing face and chestnut eyes of Luisa Sutherland, circa 1995.” Somehow, the modern-day couple meets their past selves, known as Will and Lu. Before long, other aspects of space and time begin to change—a guidebook that the couple owned in 1995 is brand new when Lu holds it, but “ages and crinkles” when William does. The older man ponders whether this encounter could change the present for the better; specifically, he confronts his long-held suspicion that Luisa once had an affair. Can William alter circumstances so that Luisa never feels the temptation to stray? Nostalgia is the key theme of this deftly written fantasy story, which asks whether true love truly lasts, or whether it’s only by viewing the past through the prism of wistful reminiscence that people can convince themselves that love survives the passage of time. The writing, in the vein of a satirical Anthony Burgess novel, wittily tackles familiar elements of time-travel love stories. But at nearly 400 pages in length, the story strains to squeeze new material out of the time-warp motif; as a result, William, Luisa, Will, and Lu start to feel like houseguests who’ve overstayed their welcome.

An elaborate entertainment that might have benefited from a tighter presentation.

Pub Date: Oct. 28, 2025

ISBN: 9781835743058

Page Count: -

Publisher: The Book Guild Ltd

Review Posted Online: Oct. 6, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 597


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 597


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Next book

WE BURNED SO BRIGHT

An existential crisis that steps on its own final moments.

With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.

After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.

An existential crisis that steps on its own final moments.

Pub Date: April 28, 2026

ISBN: 9781250881236

Page Count: 176

Publisher: Tor

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

Close Quickview