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SUMMER AND JULY

Skip this stale beach read.

Juillet, a Midwest preteen grieving her parents’ breakup, finds a soulmate and discovers surfing in Southern California.

With her mother working at a nearby hospital during their monthlong stay in Santa Monica, Juillet, 12, expects to miss her (one) friend, Fern, back home. Together, they read cult horror fiction and hung out at the mall in goth makeup and attire. In Santa Monica, she meets Summer, a beautiful, blonde surfer girl who’s intrigued by Juillet’s look and delighted to learn Juillet means “July” in French. Friendship quickly follows. Outgoing Summer introduces Juillet to the neighborhood, its denizens, and So-Cal surf culture. Juillet’s smitten with everything, especially Summer herself, who coaxes Juillet out of her comfort zone and onto a boogie board, a skateboard, and, eventually, a surfboard. Though mostly sunny and upbeat, Summer keeps secrets. Why won’t she won’t talk about her family or where she disappears to? The ocean and how Juillet learns to engage with it are the novel’s strengths, vivid and convincing, but not the far-fetched plotting or carelessly written major characters (who are white). While surfing culture is central to both plot and theme, the customs and argot Summer teaches Juillet are dated, feeling as though they’ve been sourced from inauthentic, pop-culture iterations like the 1959 film Gidget. Even as the book ignores Hawaiian surfing history and culture, the surfing meme “Eddie would go,” celebrating legendary surfer Eddie Aikau, appears in an adapted form without attribution or context.

Skip this stale beach read. (Fiction. 10-14)

Pub Date: June 9, 2020

ISBN: 978-0-06-284936-6

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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PARKED

Intermittently intriguing, this overlong, high-concept debut mostly plods.

Two white preteens—one nearly homeless, one affluent—connect in San Francisco.

Abruptly quitting her Chicago restaurant job, Jeanne Ann’s single mom, Joyce, drove the van they now live in to California and parked among the line of vans blocking ocean views for affluent residents, including Cal and his single mom, Lizzie, owner of a trendy vegetarian restaurant. With her prison record and refusal to compromise career goals, Joyce can’t find work. When money runs out, Jeanne Ann sells her beloved books. Hunger sets in; the public restroom’s cold-water tap serves for bathing. Meanwhile, socially awkward Cal pays a price for painting an unauthorized mural at his private school: working at his mom’s restaurant and attending public school. A neighbor, aware that Cal sketches the van dwellers and feeds their meters—helps him slip Jeanne Ann snacks and money. A wary friendship grows. Joyce takes a dishwashing job, Lizzie’s chef takes an interest in Jeanne Ann, and some mansion dwellers plot to evict the van-dwellers. Though Jeanne Ann’s description of food insecurity is haunting, the rambling, far-fetched plot often resembles a clever, extended elevator pitch. Despite manifestly good intentions, little light is shed on income inequality; events are too unlikely, characters too exceptional for readers to recognize or identify with. While “good” adults are interchangeable paragons of quirky wisdom, grumpy-but-interesting Joyce remains frustratingly underdeveloped.

Intermittently intriguing, this overlong, high-concept debut mostly plods. (Fiction. 10-14)

Pub Date: Feb. 4, 2020

ISBN: 978-0-399-53903-9

Page Count: 400

Publisher: Dial Books

Review Posted Online: Oct. 8, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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ALMOST SUPER

A solid debut: fluent, funny and eminently sequel-worthy.

Inventively tweaking a popular premise, Jensen pits two Incredibles-style families with superpowers against each other—until a new challenge rises to unite them.

The Johnsons invariably spit at the mere mention of their hated rivals, the Baileys. Likewise, all Baileys habitually shake their fists when referring to the Johnsons. Having long looked forward to getting a superpower so that he too can battle his clan’s nemeses, Rafter Bailey is devastated when, instead of being able to fly or something else cool, he acquires the “power” to strike a match on soft polyester. But when hated classmate Juanita Johnson turns up newly endowed with a similarly bogus power and, against all family tradition, they compare notes, it becomes clear that something fishy is going on. Both families regard themselves as the heroes and their rivals as the villains. Someone has been inciting them to fight each other. Worse yet, that someone has apparently developed a device that turns real superpowers into silly ones. Teaching themselves on the fly how to get past their prejudice and work together, Rafter, his little brother, Benny, and Juanita follow a well-laid-out chain of clues and deductions to the climactic discovery of a third, genuinely nefarious family, the Joneses, and a fiendishly clever scheme to dispose of all the Baileys and Johnsons at once. Can they carry the day?

A solid debut: fluent, funny and eminently sequel-worthy. (Adventure. 10-12)

Pub Date: Jan. 21, 2014

ISBN: 978-0-06-220961-0

Page Count: 256

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 1, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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