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REDEFINING NORMAL

An engrossing, painful, and disturbing tale of education against the odds.

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In this novel based on a true story, a boy with cerebral palsy struggles to find his place in a dysfunctional school system.

After he is born, Alan Jones suffers a severe stroke. Even if he survives, the doctors tell his mother, he will be in a vegetative state without the ability to interact with others. But she doubts the physicians’ predictions. When Alan is 2 years old, his mother has him evaluated by Dr. Shasta, who is delighted to discover his intellectual capabilities. Alan’s mother asks the physician if the boy possesses average intelligence. “Oh, no, I wouldn’t say that,” asserts Shasta. “I would say that he’s smarter than an average kid.” At first, Alan attends a school for special needs students. He repeatedly experiences abuse—first on the bus, when a mentally disabled student bites him, then at school, when an angry aide ruthlessly spanks him. Still, Alan thrives in the academic environment. By middle school, he needs new challenges. When Ms. Hawthorne, a school psychiatrist, evaluates him, she finds that the system has failed to give Alan the education he deserves. It’s determined that Alan should attend “regular school,” at least for part of the day. As Alan gets older, he becomes more and more independent, trying his best to fend and advocate for himself. When he enters high school, he’s the only special needs pupil among 3,000 students. While Alan’s proud of his accomplishments, he’s also lonely, “a clique of one.” He grapples with the pressures of being a standard bearer for the special needs community, and he desires what any high schooler wants: friends, a sense of belonging. He’s just like any other kid except that he faces an undue portion of difficulties.

Nankivell’s novel is a scathing rebuke of America’s education system, which has not only failed to provide appropriate educational opportunities for differently abled students, but also has exposed those pupils to ruthless and inhumane practices. The book shines when it examines what it’s like for Alan to go about his day, depending on others to help him with every bodily function. Through Alan’s eyes, the tale looks at the educators and aides who work with this population both critically and pityingly. The story explores how hard the duties are and how poorly the system compensates these employees, but it doesn’t allow such factors to excuse the cruelty it observes. In one particularly well-constructed passage, the author takes readers through Alan’s morning routine, from waking up early and being fed breakfast by his mother to getting strapped into his leg braces, put in his wheelchair, loaded onto the bus, and driven to school. Alan is at the mercy of others. Though he is kind and smart, the tale shows him at certain low points, when he can be vindictive and harsh. He’s not an angel—he’s a human being. But at times, the work strains to overcome a formulaic approach to telling the story of surmounting adversity. Again and again, Alan is embarrassed or made fun of, then gets his revenge when he proves his classmates—and sometimes his teachers—wrong. The writing is at its best when it hews closely to Alan’s physical reality; when it tries to generalize or draw larger lessons, the prose suffers.

An engrossing, painful, and disturbing tale of education against the odds.

Pub Date: May 11, 2017

ISBN: 978-1-4835-9688-4

Page Count: 280

Publisher: BookBaby

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: April 1, 2020

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WHISTLER

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

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A chance meeting in a museum unlocks a long-closed door in a family’s past.

Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Pub Date: June 2, 2026

ISBN: 9780063511637

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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