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UNDER THE SOUTHERN SUN

STORIES OF THE REAL ITALY AND THE AMERICANS IT CREATED

A splendid portrait, vivid and affecting. (Maps)

Documentary producer Paolicelli (Dances with Luigi, not reviewed), whose family hails from Italy's south, frames a personal, modern-day quest for understanding within that region's ancient history.

Macaroni didn't come to Italy from China with Marco Polo; it was first concocted in southern Italy—and, of course, from there all else follows, writes Paolicelli, his tongue only partly in cheek. The Italian south is a land that managed “to miss the Age of Enlightenment entirely and find itself in the twentieth century without an intervening period of transition from feudalism.” Which is not to say that it is a land of ignorance. On the contrary, Paolicelli found southern Italy to be a place of enormous antiquity, “a culture rich in ancient lore and knowledge, but poor in textual or academic foundation,” yet more than fully up to speed regarding “instincts, morality, values and stunning human insights.” When Italy was unified into a nation at the end of the 19th century, southerners saw their language destroyed, their trade in agricultural products cut off, their land taken by northerners, mismanaged and looted. It’s not surprising that the people who had been invaded by everybody from the Longobards to the Nazis learned a thing or two about sacrifice and tenacity, developed powerful ties to family and friends, and maintained a strong affinity for their countryside, even though many left for the US. Much of the region features the kind of punched, rumpled, and parched landscape that gives birth to religions and expatriates, with noted exceptions like Sicily: a dramatic and beautiful garden brooding with evidence of a long past. If there are changes afoot on that land over the past few years, elements of the modern rubbing uncomfortably with the old, Paolicelli understands that “people could get tired of their history if they had been worn down by it,” even though that history has developed a highly creative and expressive group of people.

A splendid portrait, vivid and affecting. (Maps)

Pub Date: March 1, 2003

ISBN: 0-312-28765-8

Page Count: 320

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2003

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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