by Paul Quarrington ‧ RELEASE DATE: Sept. 1, 1996
Novelist Quarrington (Whale Music, 1989) coaxes a wealth of bright humor from a couple of unlikely suspects: a fishless fishing trip and some really bad weather. Quarrington's fly fishing had hit one of those transitional moments when a guide was needed to facilitate passage to a higher plane, in this case mastering the double-haul cast. He became an acolyte at the feet of Gordon Deval, a magus and ``Old Guy'' who knew the secrets and was willing to share them—``Oh no, Grasshopper. Too much motion. The wrist must lock like a door against thieves.'' And in addition to the mysteries of casting, he was also willing to share the holiest of holies: the secret glory hole, where only lunkers lurk. It lay north, far north, in Quebec. For two weeks in August, Gordon and Quarrington and two others would form a balanced, equitable little society on an island in a lake that just might, Gordon had a feeling, surrender the biggest speckled trout in the world. The isle turned out to be something Dr. Moreau would have fancied: cruel wind, dark low skies, every prospect vile. The men were cold and wet and hungry, fetid and confused and angry because, of course, there were no fish there. During the extended lull, Quarrington's mind wandered, to tournament casting and casting clubs, to fishing for ``wyatt bias'' in Arkansas, to a rueful salmon encounter. There are times when the writing can get a tad wordy, as when the author probes distant autobiographical reaches; but before it gets oppressive, Quarrington is back in form, flashing drollery and wit, a big- hearted younger guy who understands the poetry of the double-haul, though the technique remains beyond him. If Quarrington is half as entertaining around a campfire as he is in this book, then he represents the Platonic ideal of the fishing buddy.
Pub Date: Sept. 1, 1996
ISBN: 1-56836-155-6
Page Count: 176
Publisher: Kodansha
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
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by Bonnie Tsui ‧ RELEASE DATE: April 14, 2020
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Bonnie Tsui
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by Bonnie Tsui ; illustrated by Sophie Diao
BOOK REVIEW
by Bonnie Tsui
by Leanne Shapton ‧ RELEASE DATE: July 5, 2012
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
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