A cluttered memoir that intermittently brings a bygone era of corporate hubris to life.
A water utilities and environmental services businessman reflects on lessons learned in the go-go 1980s.
Brown finds high drama in unexpected places in a book that’s part memoir and part corporate history. In 1983, he was an ambitious young corporate planner at Camp Dresser & McKee, an environmental engineering firm in Boston. It was the middle of the Reagan decade, and he took on a central role in the development of a water treatment plant in Scottsdale, Arizona. He recounts the good, the bad, and the ugly parts of the yearslong process of getting the project approved, financed, and built, which was far more complex than uninitiated readers may expect. Those who are interested in the nitty-gritty of public-private partnerships will surely find much of interest here, as will those who are curious about life in the corporate trenches of the era. However, no detail seems to have been too small for the author to deem it worthy of inclusion, from the names of many restaurants where he dined to the educational backgrounds of various players. For every vivid anecdote that transports readers back to the hard-driving ’80s, there’s a corporate memo, reproduced in full, that could have been briefly summarized. The book is at its most compelling when Brown reflects on how he let his own ambitions get the best of him as he envisioned himself as “an apprentice master of the universe.” These moments, however, occur too infrequently. As the Scottsdale treatment plant neared completion, Brown and his company got involved in real estate investment, but with the 1987 stock market crash looming, their timing couldn’t have been worse; the investments failed, and the subsequent fallout nearly torpedoed his career. But the author recovered, and he notes that he eventually learned to stop “yelling, pounding the table, and relentlessly competing for the biggest office.”
A cluttered memoir that intermittently brings a bygone era of corporate hubris to life.Pub Date: March 7, 2020
ISBN: N/A
Page Count: 306
Publisher: Self
Review Posted Online: May 26, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.
Remembering “Hershy.”
Three hundred and twenty-eight days. That’s how long Hersh Goldberg-Polin was held in captivity—tortured and starved by his captors in underground tunnels—before he was executed. He was 23 years old. In this unvarnished and heartrending account, Goldberg-Polin’s mother, Rachel, writes of the unending torment that she and her husband, Jon, endured after learning that their son had been kidnapped by Hamas terrorists during the attacks of October 7, 2023. Like so many other young people on that day, Hersh was attending a music festival in Israel—a celebration of love and unity. As Goldberg-Polin writes, her son was “the only American citizen kidnapped alive on October 7th who did not return alive.” In direct, plainspoken language that steers clear of politics, the author, a Jewish educator, recounts “being in a daze of the most indescribably sickening horror and fear, like nothing I had ever felt in my life. I remember my heart racing and feeling like I was in a permanent state of someone scaring me.” In addition to “shovel[ing] out my pain in the form of words,” she shares reminiscences of her son, as well as details that only a parent could notice. “His eyes were cookies,” she says of her “Hershy.” “I couldn’t find the pupils within the dark chocolate-brown irises.…He had a raspy voice, even when he was a baby.” And: “I thought he was hilarious; his sarcasm and humor were similar to mine.” Hersh and his sisters, Leebie and Orly, adapted well to life in Israel after the family moved from Richmond, Virginia. (Hersh was born in the Bay Area.) After being discharged from his service in the Israeli army as a combat medic, he was planning to journey around the world—a longtime dream of his. “So many people have come to love you, Hersh,” Jon Polin writes in the book’s afterword. And with one simple word that has the power to touch any heart, he signs off: “Dada.”
Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.Pub Date: April 21, 2026
ISBN: 9798217198009
Page Count: 288
Publisher: Random House
Review Posted Online: April 21, 2026
Kirkus Reviews Issue: June 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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