A psychological thriller whose payoff doesn’t deliver on a protracted buildup.
A festering sibling rivalry turns toxic.
Brothers Frank and Cal Belanger are as mismatched as the halves of Frank’s visage that give him “the contradictory face you see in some Greek masks.” A lawyer in their hometown of Littleford, Massachusetts, Frank has accumulated wealth and power through his undeniable skill at manipulating people, while his adventurous younger brother, a geologist, has roamed the world mining precious gems. Now in their 50s, the brothers' longtime rivalry boils over into escalating, if asymmetrical, psychological warfare when Cal returns from one of his frequent lengthy international sojourns for an extended stay in Littleford with his wife, a crusader against child labor, and son. Whether he’s simply gaslighting or unleashing every weapon in his legal arsenal, Frank marshals a set of emotional and professional tools honed over a lifetime to destroy the successful career and family life Cal has built. Cal, who narrates the novel, describes his mounting sense of helplessness as Frank turns his strengths into weaknesses and exploits his every misstep. Eventually, Cal’s frustration turns to thoughts of mayhem, as he imagines ending his torment by dispatching his brother without leaving a trace. In Cal’s telling, Frank is the embodiment of pure evil, while Cal has at least enough insight to describe some of his own moral failings with a minimum of self-justification. All of this offers a promising setup that turns out to be stronger than its execution, as the novel takes too long to reach its inevitable climax. Theroux is an acclaimed travel writer, and he brings those skills to bear in intermittent scenes vividly describing Cal’s gem-hunting work in places like Colombia and Zambia and some interesting aspects of the rare gem business. Inside this slow-paced novel there is a much more energetic one trying to emerge.
A psychological thriller whose payoff doesn’t deliver on a protracted buildup.Pub Date: Sept. 6, 2022
ISBN: 978-0-35-871689-1
Page Count: 352
Publisher: Mariner Books
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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