The peripatetic author of Riding the Iron Rooster, etc., etc., ventures with a collapsible kayak to the remote and scattered islands of the South Pacific. With a farewell to his marriage, and loneliness at his back, Theroux begins his extraordinary mission in New Zealand's Fiordland (``As long as there is wilderness there is hope''), moves on to Australia (a continent ``terrified by its own emptiness''), and then to Melanesia, Polynesia—Samoa, Tonga, Fiji, Tahiti, New Guinea's Trobriands, etc.—and, finally, Hawaii. He paddles the sea, he says, in the wake of myth-makers Melville, Stevenson, Gauguin, Maugham, and the Frenchman Captain Bougainville, who, in 1768, believed he'd found not only the Garden of Eden but Venus when a ``barebreasted Tahitian girl'' climbed into his ship from a canoe. To keen-eyed Theroux, the Polynesian islands are ``pleasant and feckless'' but far from paradise. Even Gauguin's Marquesas are ``dramatic at a distance'' but ``close up—muddy and jungly and priest-ridden.'' Traditional islands are ``riddled with magic, superstition, myths, dangers, rivalries and its old routines.'' Always interesting are Theroux's encounters with archaeologists who have disproved Thor Heyerdahl's popularizing theories about Polynesia. Sifting through human and animal bones, they study a still-mysterious people who carved some 800 stone statues on Easter Island and who boasted navigational skills that sent them migrating during what was Europe's Dark Ages. A sense of being beyond the reach of civilization comes when, in his intrepid kayak, off Easter Island and between the rock-battering surf and the Pacific, Theroux removes his headphones, ``hears the immense roar of waves and the screaming wind,'' and is terrified. A vast and contemplative book, seeing the ``Pacific as a universe, and the islands like stars in all that space.'' Informative not only for the voyager, but also for those wanting a new perspective on the Western continents of home. (Sorely lacking a map.)

Pub Date: June 8, 1992

ISBN: 0-399-13726-2

Page Count: 528

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1992

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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