The Loch Ness Monster lives in this latest adventure by award-winning author Zindel (The Pigman and Me, 1992, etc.). The beast resides in small Lake Alban in Vermont with his wife and little monsters, trapped there by a man-made salmon grid that blocks the lake's opening back to the deep waters of Lake Champlain. The monster is no mythical creature here but a plesiosaur—a prehistoric cetacean that has survived until the present. Loch, a 15-year-old so nicknamed because he claimed to have seen the Loch Ness Monster (``Nessie'') ten years earlier in Scotland, lives with his father, Dr. Sam Perkins, and his younger sister, Zaidee, near the lake. Dr. Sam, a marine biologist, works for Anthony Cavenger, who spends fortunes seeking out monsters like Big Foot and Nessie. After reported sightings at Lake Alban, Cavenger and his pseudoscientific, paramilitary organization go to Vermont to investigate. They find the plesiosaurs—who have not devolved like the once fierce sturgeon, as an unlucky photographer and a local yokel discover the hard way. Ruthless Cavenger intends to take the animals alive, dead, or blown to bits. But Loch, Zaidee, and Cavenger's teenage daughter, Sarah, have discovered and befriended a young plesiosaur. They realize that the plesiosaurs are highly intelligent and sensitive creatures, and that it is up to them to save the magnificent beasts. Fast, furious, and masterful. (Fiction. 12+)

Pub Date: Oct. 30, 1994

ISBN: 0-06-024542-5

Page Count: 192

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 1994

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Brought together in what novelist Hansen (Which Way Freedom?, 1986) calls a ``great experiment,'' black troops in the Civil War faced not only enemy armies but their own side's vicious racism while proving their ability. They had already fought in every previous American war, but never in permanent units; faced with a manpower shortage, Lincoln overcame his reluctance and allowed black companies to form—though some had to assemble and march in secret to avoid civilian riots. Quoting frequently from contemporary sources, Hansen describes their recruitment, their struggle for proper pay, supplies, and training, and their heroic performance in dozens of actions. She contends that, for them, the war had no complex causes: first, last and always, it was a crusade against slavery. Her methodical, well-documented study is ranges wider than Cox's Undying Glory (about the Massachusetts 54th Regiment). Murky b&w photos and reproductions; notes; substantial bibliography; index. (Nonfiction. 12+)

Pub Date: April 1, 1993

ISBN: 0-531-11151-2

Page Count: 160

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 15, 1993

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A change of pace from the teeming swarms of fantasy and paranormal romance but too underpowered to achieve escape velocity.



A low-wattage collection of original stories and poems, as unmemorable as it is unappealingly titled.

The collection was inspired by a perceived paucity of short science fiction for teen readers, and its production costs were covered by a Kickstarter campaign. The editors gather a dozen poems and 21 stories from a stable of contributors who, after headliners Jack McDevitt and Nancy Holder, will be largely unknown even to widely read fans of the genre. The tales place their characters aboard spacecraft or space stations, on other worlds or in future dystopias, but only rarely do the writers capture a credibly adolescent voice or sensibility. Standouts in this department are the Heinlein-esque “The Stars Beneath Our Feet,” by Stephen D. Covey & Sandra McDonald, about a first date/joyride in space gone wrong, and Camille Alexa’s portrait of a teen traumatized by a cyberspace assault (“Over It”). Along with a few attempts to craft futuristic slang, only Lavie Tidhar’s fragmentary tale of Tel Aviv invaded by successive waves of aliens, doppelgangers, zombies and carnivorous plants (“The Myriad Dangers”) effectively lightens the overall earnest tone. Aside from fictional aliens and modified humans, occasional references to dark skin (“Out of the Silent Sea,” Dale Lucas) are the only signs of ethnic diversity. Most of the free-verse poetry makes only oblique, at best, references to science-fictional themes.

A change of pace from the teeming swarms of fantasy and paranormal romance but too underpowered to achieve escape velocity. (author bios) (Science fiction/short stories. 12-14)

Pub Date: Feb. 12, 2013

ISBN: 978-0-9847824-0-8

Page Count: 290

Publisher: Underwords

Review Posted Online: Dec. 13, 2012

Kirkus Reviews Issue: Jan. 1, 2013

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