The Jane Austen beach book fans have been waiting for.
An Austen scholar imagines a love affair for the famous literary singleton.
“One of the questions I am most frequently asked about Jane Austen is ‘Did she ever fall in love?’ Surely, people say, the world’s most famous and beloved author of romantic novels—the creator of Elizabeth Bennet and Mr. Darcy, Anne Elliot and Captain Wentworth—must once have been in love herself?” Byrne, the author of multiple nonfiction books about Jane Austen and her world, answers the question posed in her afterword with a cleverly imagined love story woven over a scaffolding of fact. Austen’s family did indeed visit the seaside town of Sidmouth for six weeks in the summer of 1801, and her adored brother Frank did join them on shore leave from the British navy. His friend Capt. Peter Parker, however, whom he hopes to introduce to Jane, is Byrne’s invention, while the lawyer Samuel Rose, another candidate for Jane’s attentions, is inspired by a real person who never crossed paths with Austen. “He was undoubtedly attractive—dark-haired with a fine, aquiline nose, and the bluest of eyes. She noted, with a half-smile, that his complexion was flushed like the rose of his name.” There’s a catch though: He’s a lawyer and Jane wants nothing to do with lawyers since she had an ill-fated flirtation with one when she was 19. However, since any good Austen-style romance has its roots in furious antipathy, the reader may suspect that Mr. Rose’s chances are better than they first seem. Byrne uses her knowledge of the period to weave in two themes not usually associated with Austen: homosexuality (about which no more can be said without spoilers) and racism. Jane eventually bonds with the blue-eyed lawyer over their shared belief in abolitionism, and also becomes involved with a biracial child one of the locals has brought home from his time in Antigua. All the real details supporting these matters are clarified in the excellent afterword.
The Jane Austen beach book fans have been waiting for.Pub Date: Aug. 5, 2025
ISBN: 9781639369256
Page Count: 256
Publisher: Pegasus
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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