A long wind-up and a freeway full of clichés before the plot coalesces and Wood gets around to what’s on her mind.
Racism hounds both black and white families.
Det. Charlotte Justice has never really gotten over the drive-by shooting of her husband and daughter 13 years ago. This, combined with her recent violent caseload (Dirty Laundry, 2003, etc.), has the LAPD brass mandating sessions with the department shrink. Among her current problems: Her brother and her mother have stolen her dead husband’s files from her house; her sister has been incommunicado since she started dating a white man; and the case she couldn’t quite close eight years ago, the Smiley Face Shooting, has been reopened because Nilo Engalla, a Filipino intern in the accounting department of CZ Toys, has reappeared as a car crash victim, with $27,000 in his car trunk, possibly embezzled from the company. Was Nilo paid off to hit CZ CEO Charles Zuccari, now lying comatose in a hospital while his pregnant third wife recuperates at his bedside? Was the real target his new business partner, who was designing a line of black dolls? As Charlotte and her partner, crusty old-timer Thor, work the case, they are conned by FBI rogue Paul Taft, who has mysterious ties to Charlotte’s family, and Zuccari’s many wives and wayward children, all of whom have issues with their racial heritage. More twists than can comfortably fit in the plot will slue the action before Charlotte, deep in grief, is really ready to talk to that department shrink.
A long wind-up and a freeway full of clichés before the plot coalesces and Wood gets around to what’s on her mind.Pub Date: Jan. 31, 2006
ISBN: 0-345-45702-1
Page Count: 272
Publisher: One World/Random House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2005
What starts off as Easter eggs ends up as one big, shapeless omelet in Lucy’s feckless 21st.
A holiday tradition turns lethal in small-town Maine.
The residents of Tinker’s Cove have always dressed their toddlers in their Sunday best for the annual Easter egg hunt at Vivian Van Vorst’s beautiful mansion. But this year, Pine Point is looking a bit seedy. The lawn is unkempt, no one is directing traffic, and VV is nowhere to be seen. Worst of all, her grandson, Van Vorst Duff, dressed in a bunny suit, drops dead at the gates of the estate before he can hide a single egg. Lucy Stone (Chocolate Covered Murder, 2011, etc.), ace reporter for the Tinker’s Cove Pennysaver, takes time off from covering the town council meeting to help her colleague Phyllis’ niece Elfrida cater Van’s funeral—giving her plenty of opportunity to snoop. She discovers that VV is being confined to her room and fed nothing but canned nutritional supplement while her granddaughter Vicky Allen and Vicky’s husband, Henry, aided by unscrupulous lawyer George Weatherby, sell off her priceless art treasures. When the Allens give VV’s faithful butler Willis the sack, they have a fight on their hands. Thanks to local attorney Bob Goodman, the trio is brought to trial on charges of elder abuse. Reporters from all over the country choke the streets of Gilead, the county seat. Famous defense attorney Howard Zuzick, representing the Allens, looks as if he might have some tricks up his sleeve. But surprise! Meier drops that plot and instead packs Lucy off on a mission to hunt down VV’s long-lost daughter for former librarian Miss Julia Tilley.
What starts off as Easter eggs ends up as one big, shapeless omelet in Lucy’s feckless 21st.Pub Date: Jan. 29, 2013
ISBN: 978-0-7582-2935-9
Page Count: 304
Publisher: Kensington
Review Posted Online: Dec. 12, 2012
Kirkus Reviews Issue: Jan. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The racism, classism, and sexism of 50 years ago wrapped up in a stylish, sexy, suspenseful period drama about a newsroom...
Baltimore in the 1960s is the setting for this historical fiction about a real-life unsolved drowning.
In her most ambitious work to date, Lippman (Sunburn, 2018, etc.) tells the story of Maddie Schwartz, an attractive 37-year-old Jewish housewife who abruptly leaves her husband and son to pursue a long-held ambition to be a journalist, and Cleo Sherwood, an African-American cocktail waitress about whom little is known. Sherwood's body was found in a lake in a city park months after she disappeared, and while no one else seems to care enough to investigate, Maddie becomes obsessed—partly due to certain similarities she perceives between her life and Cleo's, partly due to her faith in her own detective skills. The story unfolds from Maddie's point of view as well as that of Cleo's ghost, who seems to be watching from behind the scenes, commenting acerbically on Maddie's nosing around like a bull in a china shop after getting a job at one of the city papers. Added to these are a chorus of Baltimore characters who make vivid one-time appearances: a jewelry store clerk, an about-to-be-murdered schoolgirl, "Mr. Helpline," a bartender, a political operative, a waitress, a Baltimore Oriole, the first African-American female policewoman (these last two are based on real people), and many more. Maddie's ambition propels her forward despite the cost to others, including the family of the deceased and her own secret lover, a black policeman. Lippman's high-def depiction of 1960s Baltimore and the atmosphere of the newsroom at that time—she interviewed associates of her father, Baltimore Sun journalist Theo Lippman Jr., for the details—ground the book in fascinating historical fact.The literary gambit she balances atop that foundation—the collage of voices—works impressively, showcasing the author's gift for rhythms of speech. The story is bigger than the crime, and the crime is bigger than its solution, making Lippman's skill as a mystery novelist work as icing on the cake.
The racism, classism, and sexism of 50 years ago wrapped up in a stylish, sexy, suspenseful period drama about a newsroom and the city it covers.Pub Date: July 23, 2019
ISBN: 978-0-06-239001-1
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
BOOK TO SCREEN
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