Cohen is no Jane Austen, but her latest update on the Marriage Plot is a light romantic comedy featuring witty commentary on...
If Jane Austen’s heroines can find true love within the confines of their small English villages, why can’t a single New Yorker locate Mr. Right among the residents of her large Upper West Side apartment building?
Suzanne Davis is 34 years old and a technical writer with a boring, albeit undemanding, job and “an apartment the size of a shoebox on West 76th Street in New York City.” Fed up with online dating, she decides to think small and look for “a soul mate in my own backyard.” She pursues this goal like an anthropologist, staking out a spot on the building’s playground to observe the moms and children at play, which leads to an invitation to a book discussion where she is introduced to some potential suitors. Suzanne is a hilarious, self-deprecating, rather unreliable narrator who, like the best Austen heroines, is the last to reach the obvious conclusions about her own love life. After a disastrous affair with one building resident and an almost unbearably meet-cute episode with another, a bout of cancer is just the impetus she needs to reassess her life and her priorities and even mend fences with her difficult and fault-finding mother. This use of cancer as a plot device comes off as a little glib and predictable, though the reader senses Cohen (Jane Austen in Scarsdale, 2006, etc.) is mocking the cliché even as she makes use of it. This Austen-inspired novel is highly self-referential; not only does Suzanne openly acknowledge the Austen connection throughout, one character even makes direct reference to one of Cohen’s earlier novels during a book discussion about Pride and Prejudice. While Cohen keeps her tongue planted firmly in cheek, she sometimes seems to fall back on tropes and lazy shorthand from a slightly earlier era. (Do single Manhattanites still consume Lean Cuisines nightly? Is a “split-level in New Jersey” still shorthand for suburban drudgery?)
Cohen is no Jane Austen, but her latest update on the Marriage Plot is a light romantic comedy featuring witty commentary on contemporary life, enriched by a funny, flawed and likable heroine.Pub Date: May 13, 2014
ISBN: 978-1-58988-095-5
Page Count: 277
Publisher: Paul Dry Books
Review Posted Online: March 12, 2014
Kirkus Reviews Issue: April 1, 2014
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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