An imperfect but very readable novel about a pioneering female painter.
In Lamphier’s historical novel, a female painter struggles to make her mark in the male world of Renaissance painting.
Rome, 1609. Artemisia Gentileschi learned to paint at the foot of her father, the struggling artist Orazio Gentileschi. By 16, she is accomplished enough to work for Orazio—though as a copyist, making paintings under his name, not her own. Her own paintings already demonstrate naturalist—even feminist—tendencies. She renders the Madonna as a tired mother, modeled on the family maid. As Orazio’s career hits a snag, he secures painting lessons for Artemisia with his friend Agostino Tassi, a fresco painter. Tassi forces himself on Artemisia at knife point. Considered a ruined woman, she suffers as Tassi’s mistress for a time, afraid to do anything that will hurt her father’s career. But the truth comes out, and there is a trial, during which Artemisia must defend her accusation even while being physically tortured. Tassi is jailed, but Artemisia’s reputation remains ruined. Will she still be able to have a career as an artist, already so rare for women, particularly those of humble origins? Her path is not the usual one, but she will find it: a student of Galileo, a disciple of Caravaggio, and the personal artist of an exiled English queen. Lamphier’s prose is elegant and understated. She particularly excels at describing her lead’s creative process: “I didn’t have the heart to tell her that I’d painted it that way, with a dark background, because I’d never learned perspective. In my sketches, I couldn’t figure out what to put in the background, so I painted it dark.” Unfortunately, there are moments when the dialogue is clunky and expositional: “You left Mannerism behind for Signor Caravaggio’s naturalism, and you were right. It is a better sort of art.” The book feels timely both for its account of a pre-modern rape trial and for Artemisia’s groundbreaking career. There are moments when the novel’s biographical structure gets in the way, but Lamphier’s depiction of Artemisia is compelling enough to keep the reader invested.
An imperfect but very readable novel about a pioneering female painter.Pub Date: March 30, 2021
ISBN: 978-1-94-743134-8
Page Count: 280
Publisher: Barbera Foundation
Review Posted Online: June 2, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
