WITHOUT CHILDREN

THE LONG HISTORY OF NOT BEING A MOTHER

A liberatingly perceptive work of sociology and cultural history.

A history professor explores the many reasons why increasing numbers of women are choosing to be childless.

Millennial women are now at the peak of their childbearing years, but as O’Donnell Heffington observes, their rate of childlessness is almost as high as that of fertile women who lived during the Great Depression. The reasons for this trend go far beyond simplistic explanations that modern women are “too selfish, too greedy, too shortsighted,” and too focused on their careers. “Women are choosing to have no children, in other words, because they want other things—lattes, degrees, careers, vacations, definitely avocado toast—more than they want kids,” writes the author. Challenging economic conditions—brought about first by the Great Recession and then by the Covid-19 pandemic a decade later—have made it extremely difficult for many millennials to create secure home lives for young children. Many young women have found themselves taking on multiple jobs or working their way into better employment opportunities from “the small, unstable dinghies that are early career jobs.” Even those with professional salaries must contend with high cost-of-living expenses for themselves and the reality that the day care for just one child typically equates to “the pretax income of someone working full-time at the federal minimum wage.” That American families in general have become increasingly isolated from each other over the last 200 years has created a situation in which those with children cannot rely on community networks to help sustain them through crises like the recent pandemic. Finally, the looming threat of climate change has caused many young people, especially those between 16 and 25, to reconsider bringing babies into a “carbon-choked world” where resources are dwindling. Provocative and well researched, this book offers compassionate insight into the history and predicaments of women who have embraced the “never...uncommon and [now] increasingly common” childless life.

A liberatingly perceptive work of sociology and cultural history.

Pub Date: April 18, 2023

ISBN: 9781541675575

Page Count: 256

Publisher: Seal Press

Review Posted Online: Jan. 30, 2023

Kirkus Reviews Issue: March 1, 2023

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

STRONG FEMALE CHARACTER

An unflinching self-portrait.

The tumultuous life of a bisexual, autistic comic.

In her debut memoir, Scottish comedian Brady recounts the emotional turmoil of living with undiagnosed autism. “The public perception of autistics is so heavily based on the stereotype of men who love trains or science,” she writes, “that many women miss out on diagnosis and are thought of as studious instead.” She was nothing if not studious, obsessively focused on foreign languages, but she found it difficult to converse in her own language. From novels, she tried to gain “knowledge about people, about how they spoke to each other, learning turns of phrase and metaphor” that others found so familiar. Often frustrated and overwhelmed by sensory overload, she erupted in violent meltdowns. Her parents, dealing with behavior they didn’t understand—including self-cutting—sent her to “a high-security mental hospital” as a day patient. Even there, a diagnosis eluded her; she was not accurately diagnosed until she was 34. Although intimate friendships were difficult, she depicts her uninhibited sexuality and sometimes raucous affairs with both men and women. “I grew up confident about my queerness,” she writes, partly because of “autism’s lack of regard for social norms.” While at the University of Edinburgh, she supported herself as a stripper. “I liked that in a strip club men’s contempt of you was out in the open,” she admits. “In the outside world, misogyny was always hovering in your peripheral vision.” When she worked as a reporter for the university newspaper, she was assigned to try a stint as a stand-up comic and write about it; she found it was work she loved. After “about a thousand gigs in grim little pubs across England,” she landed an agent and embarked on a successful career. Although Brady hopes her memoir will “make things feel better for the next autistic or misfit girl,” her anger is as evident as her compassion.

An unflinching self-portrait.

Pub Date: June 6, 2023

ISBN: 9780593582503

Page Count: 288

Publisher: Harmony

Review Posted Online: March 10, 2023

Kirkus Reviews Issue: April 1, 2023

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