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BABY CATCHER

CHRONICLES OF A MODERN MIDWIFE

An inspiring and hard-to-put-down celebration of natural childbirth.

A joyous account, packed with warm and wonderful stories, though tinged at the end with sorrow.

Vincent was only a student nurse when she found her life’s passion: obstetrics. When she began working in labor and delivery in 1970 at a Berkeley hospital, a revolution in women’s health care was beginning. By 1977, her hospital had opened a birth center catering to women’s wishes for a more natural and supportive environment in which to have their babies, and she became its nursing coordinator. After more than a decade as an obstetrical nurse, she went to midwifery school and opened a home-birthing practice as a certified nurse midwife. Most of the stories here recount her hilarious, unpredictable, sometimes hair-raising adventures delivering babies in women’s homes, often surrounded by curious children, excited husbands, intrusive friends and relatives, and unhelpful pets. For one patient, giving birth is “like laying an egg”; for another, it’s hours of hard labor; for all, it’s an unforgettable experience. Ever resourceful and reassuring, Vincent thrives in the happy chaos and communal nature of home births. When her own third child is born at home, the crowd of friends and family includes her preadolescent son and daughter, who clamp and cut the cord. Vincent is an articulate advocate of a non-medical approach to birth, arguing persuasively against the notion that “all births are complicated until proven otherwise.” Her own career parallels that of the independent nurse midwife movement in this country, its growth fostered by the rise of feminism, its decline brought on by financial pressures. In 1992, the only insurer of certified nurse midwives attending home births withdrew its coverage, forcing them out of business. In a poignant epilogue, Vincent gives her books and supplies to a young Muslim woman about to become a midwife in Syria.

An inspiring and hard-to-put-down celebration of natural childbirth.

Pub Date: April 15, 2002

ISBN: 0-7432-1933-3

Page Count: 336

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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