In the art animating this handsomely packaged retelling of Colette’s libretto for Ravel’s opera, L’Enfant et les Sortilèges, a tale of childish rage and remorse, jumbles of suddenly animate objects in twisted perspectives create an evocatively skewed reality. So frustrated is Thomas with his math homework that he throws a violent, kicking, tearing tantrum—only to see the assaulted items in his room acquire faces and rise up threateningly. Matching the art’s sophistication with pinches of wit—“Clock ticked him off, calling ‘cuckoo’ five times”—and rhyme, Shea tells the tale quickly but smoothly. All ends in smiles, as Thomas’s sincere apologies restore domestic peace and leave him just enough time to finish his math before dinner. The story hangs together even without music and staging, making it suitable for sharing even when a trip to the theater isn’t in the offing. (Picture book. 6-8)
Pub Date: April 1, 2007
ISBN: 0-9646010-4-4
Page Count: 36
Publisher: Pumpkin House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
The poster boy for relentless mischief-makers everywhere, first encountered in No, David! (1998), gives his weary mother a rest by going to school. Naturally, he’s tardy, and that’s but the first in a long string of offenses—“Sit down, David! Keep your hands to yourself! PAY ATTENTION!”—that culminates in an afterschool stint. Children will, of course, recognize every line of the text and every one of David’s moves, and although he doesn’t exhibit the larger- than-life quality that made him a tall-tale anti-hero in his first appearance, his round-headed, gap-toothed enthusiasm is still endearing. For all his disruptive behavior, he shows not a trace of malice, and it’ll be easy for readers to want to encourage his further exploits. (Picture book. 5-7)
Pub Date: Sept. 1, 1999
ISBN: 0-590-48087-1
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1999
Hundreds of pages of unbridled uplift boiled down to 40.
From two Nobel Peace Prize winners, an invitation to look past sadness and loneliness to the joy that surrounds us.
Bobbing in the wake of 2016’s heavyweight Book of Joy (2016), this brief but buoyant address to young readers offers an earnest insight: “If you just focus on the thing that is making / you sad, then the sadness is all you see. / But if you look around, you will / see that joy is everywhere.” López expands the simply delivered proposal in fresh and lyrical ways—beginning with paired scenes of the authors as solitary children growing up in very different circumstances on (as they put it) “opposite sides of the world,” then meeting as young friends bonded by streams of rainbow bunting and going on to share their exuberantly hued joy with a group of dancers diverse in terms of age, race, culture, and locale while urging readers to do the same. Though on the whole this comes off as a bit bland (the banter and hilarity that characterized the authors’ recorded interchanges are absent here) and their advice just to look away from the sad things may seem facile in view of what too many children are inescapably faced with, still, it’s hard to imagine anyone in the world more qualified to deliver such a message than these two. (This book was reviewed digitally.)
Hundreds of pages of unbridled uplift boiled down to 40. (Picture book. 6-8)Pub Date: Sept. 27, 2022
ISBN: 978-0-593-48423-4
Page Count: 40
Publisher: Crown
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
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