A highly inventive novel that pushes the boundaries of reality.
A disgraced cartographer unravels a 30-year-old family secret hidden within the folds of a 20th-century gas-station highway map.
Seven years after Nell Young and her ex-boyfriend Felix were publicly shamed and fired from the New York Public Library’s Map Division—by none other than her own father, Daniel—following what she thinks of as the Junk Box Incident, Nell has settled for “adding flourish” onto printed replicas of maps at a store in Crown Heights. After she discovered a box of rare 18th-century maps and one doodled-on 1930s highway map in the library's basement, her father declared them worthless fakes and inexplicably got so mad at her for disagreeing with him that he had her fired; they haven't spoken a word since. Practically cartography royalty (Nell's late mother was a visionary in the field, and her father is the senior curator for the NYPL’s main branch), Nell lost more than her reputation when she lost her internship at the library. Unlike Felix, who was immediately hired by the elusive William Haberson of the logistics and navigation company Haberson Global, Nell’s had to scrape the bottom of the barrel for cartography jobs. But when Daniel is found dead at his desk with that very same highway map in a secret drawer, Nell begins to wonder if the map hides more than meets the eye. When she decides to do her own research, she uncovers an implausible relation between the map and her parents and soon learns of a competitive, dangerous group known as “the Cartographers” who are willing to pay—or kill—for the only copy left in existence. Shepherd plots page-turning twists and revelations with ease and excels in her knowledge of historical maps and cartographical mysteries. The inclusion of map diagrams and detailed flashbacks carry the reader right alongside Nell as she attempts to disentangle an increasingly complex, slightly supernatural secret. In an author's note, Shepherd promises that “something magical happens” when a person follows a map that lies, and this book will make you believe it.
A highly inventive novel that pushes the boundaries of reality.Pub Date: March 15, 2022
ISBN: 978-0-06-291069-1
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 7, 2022
Kirkus Reviews Issue: March 1, 2022
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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