Trees of the world and dauntless readers, take note: The author gives warning on the last page that “this story is far from...
Dangerous? Only if you drop this endless sequel (No Angel, 2003) on your foot.
Meandering tale of privileged twins, penned in typically effulgent style, spanning several decades and a continent or two. Venetia and Adele Lytton, spoiled darlings of the Lytton family of publishing fame, prove to be among the most popular, charming, witty, and irresistible debutantes of the year 1928: not only are they pretty, they are unarguably pretty (a much overused word in Vincenzi’s lexicon, along with extremely, hugely, desperately, terribly, extraordinarily, hideously, dreadfully, and their poor little relation, very.) The twins pooh-pooh the ineffectual scolding of their concerned mummy, Celia, who pretends to disapprove of their modern manners—she’s scandalized when Venetia powders her perfect nose at the table! Though her daughters seem to be wasting their excellent education, Celia is pleased by their social success, perhaps because they are no match for her. “The beautiful, brilliant Lady Celia Lytton moved among the great literary figures of her day . . . .” But doesn’t she have a dark secret or something? Well, yes—but Vincenzi doesn’t get around to it until hundreds of pages later. The twins must grow up in an uncertain world, fall in and out of love with toffee-nosed prigs, learn that life isn’t always fair, explore New York when Lytton opens a branch there, etc. In the meantime, that silly Hitler—such a common man—is making stiff-armed salutes and rabble-rousing in Europe. And if someone doesn’t put a stop to his fascist manias, what will happen to all the dear little cuckoo clocks? Will the twins have to give up waltzing because of its Viennese connection? But they have other worries: Barty, a redoubtable bluestocking with a certain horsy charm, is jockeying for control of Lytton. Oh, and Celia’s dark secret? Kit, her fair-haired boy, doesn’t look so very much like her long-suffering husband, does he?
Trees of the world and dauntless readers, take note: The author gives warning on the last page that “this story is far from over.”Pub Date: Oct. 1, 2004
ISBN: 1-58567-482-6
Page Count: 710
Publisher: Overlook
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 2004
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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