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THE INVINCIBLE FLYING EAGLE

A realistic and disturbing glimpse into an unenviable childhood.

A memoir about a childhood of sexual abuse from debut author Herrera.

Growing up in El Salvador in a fatherless, poor family, young Perto hasn’t had things easy. From working in the fields for little to no money to seeing his mother pregnant again in spite of their economic situation, Perto would likely have faced a difficult life even without the episodes of sexual abuse that end up defining much of his childhood. Beginning with molestation from an acquaintance of his mother’s and escalating to rape and torment from several members of the community, Perto’s story is a horrifying glimpse into the life of an abused child. “When everything started I was seven years old—an innocent boy,” he says. “I was at the mercy of the adults in my life. Those adults, including my mother, were supposed to protect me from abuse, but they did not.” A main tormentor tends to visit Perto’s village on weekends, so the end of the week is dreaded. The explicit descriptions of abuse can be difficult to read: “It felt like a sharp handsaw was ripping the tissue of my rectum.” Attempts to placate the abuser are never successful—“Right away I did what he said because I was afraid of him”—and are met only by abuse from others who learn to view the victim as willing and defenseless. Cries for mercy fall on deaf ears, but how else can a young boy fight against full-grown men who feel no shame in committing unimaginable crimes? With a distinct Christian message, the story of Perto’s salvation from his troubled childhood is one involving lots of prayer and fantastical episodes in nature, including an eagle transforming into an angel ensconced in a rainbow of light. Though the conclusion may lose some readers, the book is notable for its believable downward spiral of abuse. Depictions of many characters prove less than illuminating, particularly as readers might hope for more information about Perto’s village and the people who populate it. Consequently, the story moves quickly, with just enough time to let the horror sink in.

A realistic and disturbing glimpse into an unenviable childhood.

Pub Date: Aug. 2, 2013

ISBN: 978-1480154230

Page Count: 234

Publisher: CreateSpace

Review Posted Online: Oct. 9, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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