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50 LICKS

MYTHS AND STORIES FROM HALF A CENTURY OF THE ROLLING STONES

The Stones’ dog-eared story is better told in a dozen other accounts.

A numbingly familiar look back at the Stones’ 50-year career.

Pete Fornatale (Back to the Garden: The Story of Woodstock and How It Changed a Generation, 2010, etc.), who died in April 2012, was a longtime host at New York’s WNEW, an FM radio power with access to some of the biggest names of the classic-rock era. Old on-air interviews with most of the Stones conducted by the author and his colleague Dave Herman serve as the foundation for this fawning oral history, much of which will be old news to fans of the band. The biggest problem with any rehash of the group’s career at this point is that nearly everyone with a tale to tell has already told it at full length. Band members Keith Richards, Bill Wyman and Ronnie Wood have all published their own books, some of which are excerpted here. Mick Jagger hasn’t taken pen in hand yet, but he is already a past master of the interview that says nothing. A lengthy sit-down with Pete Fornatale, conducted in 1989 on the launch of the Stones’ clothing line, is a main attraction here, and it could not be more vacuous. Is there anything new to be gleaned about the band’s early history from Andrew Loog Oldham or Marianne Faithfull after their fine memoirs? Can journalist Robert Greenfield offer any fresh insights about the band’s 1972 tour not found in his definitive report STP? At the other end of the interview spectrum, the writer offers wince-inducing recollections from the hoi polloi: co-author Bernard Corbett on his junior high years as a Stones fan, radio engineer Jeremy Rainer on his duty as an extra in the concert movie Shine a Light. Dully told and messily designed, the book is a dutifully assembled piece of anniversary product that does little to illuminate the Stones' saga.

The Stones’ dog-eared story is better told in a dozen other accounts.

Pub Date: Feb. 26, 2013

ISBN: 978-1-60819-921-1

Page Count: 288

Publisher: Bloomsbury

Review Posted Online: Oct. 22, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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