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IF NOT FOR THIS

It’s not easy to convey the reality of suffering while somehow transmuting it, and it’s no disgrace that Fromm should have...

Battling multiple sclerosis? Make a baby.

That’s not an American Medical Association advisory but the strategy of a young couple coping as best they can in Fromm’s third novel. Maddy has a rule: Boyfriends must be 10 years older than her 22-year-old self. Troy fits, and she's comfortable with him, but then the rule goes out the window, along with the unfortunate Troy. Maddy’s job is rowing tourists on rafts down Wyoming rivers. At a party, she meets another boater her age, Dalton, and is overwhelmed. They're married at dawn on a riverbank, the perfect setting for outdoorsy people with a dash of hippie, and from the start, their goal is to make babies. Life doesn't cooperate: They lose their cheap housing in their beloved valley and eventually give up rafting. They move to a town in Oregon, where Dalt becomes a carpenter. It’s five years before Maddy conceives, and her pregnancy coincides with the diagnosis of MS. The birth of their son, Atty, goes off without a hitch, though it happens between chapters and is not described. In a novel that’s centered on the body, it’s perverse of Fromm to omit childbirth. Still crazy in love, Dalt and Maddy must decide whether to have another child. Maddy has reasonable objections, which the strong-willed Dalt discounts: They will beat the odds. Their daughter, Izzy, is born (again, offstage), but Maddy’s breast-feeding is interrupted by a violent tremor. Her condition deteriorates. She must use a wheelchair. Dalt throws himself into his work; at home, he hovers anxiously. At some point, he crosses the line from loving to uxorious. As Maddy says, “He cares about me. Too much. He always has.” She fluctuates between stoicism and self-pity; bottom line, a character who was dull and healthy becomes one who’s dull and disabled. The kids stay mostly at the margins.

It’s not easy to convey the reality of suffering while somehow transmuting it, and it’s no disgrace that Fromm should have fallen short.

Pub Date: Aug. 5, 2014

ISBN: 978-1-59709-538-9

Page Count: 240

Publisher: Red Hen Press

Review Posted Online: May 6, 2014

Kirkus Reviews Issue: May 15, 2014

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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