Next book

WHITETAIL NATION

MY SEASON IN PURSUIT OF THE MONSTER BUCK

Frank and funny, one hunter’s attempt to take down the biggest monster of all—middle age.

A seasoned hunter’s quest to bag the big buck.

In 2008, veteran sports journalist, biographer and senior Tennis magazine editor Bodo (The Trout Whisperers, 2006, etc.) set out on a two-month crusade to acquire what no prior hunting season had yielded: a “wallhanger.” Though having shot many fair-sized bucks in his decades of hunting whitetail deer, when the author hit 50, he resolved to up the ante. As bow season dawned in early October, Bodo’s pursuit took him from his upstate New York acreage to Pennsylvania, back to New York, on to northern Montana as Halloween neared, then down to the Texas hill country in early November, where a three-day escorted ranch hunt could cost up to $5,000. The author depicts the varied physical, ethical and psychological tests to which he subjected himself in hopes of tagging a record-worthy whitetail buck. A town sign he noticed in rural Montana—“WELCOME TO RUDYARD, 596 NICE PEOPLE AND ONE OLD SOREHEAD”—echoes the acerbic tone of much of Bodo’s rather hyperbolic commentary. Introspective but unapologetic, the author sheds light on the nature and allure of blood sports—“hunting isn’t about killing animals. So what is it? A few things, I thought…search for the connection with the old and honorable ways…a deeper understanding of the natural world…self-sufficiency and vestiges of the untamed”—while probing his own motives for engaging in this controversial hobby: “I bought the Weatherby .257 Mag Mark V for the same reason some middle-aged men buy a canary yellow Corvette convertible. Because it’s sexy, and looks great.” Though the uninitiated may eventually lose interest, deer hunters in particular will savor the level of detail Bodo includes in noting the equipment, tactics and techniques used in the field.

Frank and funny, one hunter’s attempt to take down the biggest monster of all—middle age.

Pub Date: Nov. 15, 2010

ISBN: 978-0-618-96996-8

Page Count: 320

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Sept. 15, 2010

Kirkus Reviews Issue: Oct. 1, 2010

Next book

WHY WE SWIM

An absorbing, wide-ranging story of humans’ relationship with the water.

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

Next book

SWIMMING STUDIES

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.

Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

Pub Date: July 5, 2012

ISBN: 978-0-399-15817-9

Page Count: 288

Publisher: Blue Rider Press

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

Close Quickview