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ASH CHILD

Quirky dialogue, flamboyant people, the usual Du Pré fun. Bowen fans are doubtless inured by now to plots that go up in...

“Cowboys,” a Montana woman says early in Gabriel Du Pré’s ninth adventure (Cruzatte and Maria, 2001, etc.), “have the smarts of anvils.” But she says it more or less lovingly, and the fact is—as anyone in tiny Toussaint, way up in the high country, will tell you—that whenever a tough knot needs unraveling, you send for Du Pré, that quintessential cowboy and master unraveler. And if he’s not busy expertly fiddling or philosophizing or imbibing his favorite tipple, “the whisky ditch,” he’ll tackle the toughest puzzle. Like the mystery surrounding poor old Maddy Collins. Who’d want to take a hatchet to a woman near 90, leave her bloody and lifeless on the floor of her remote cabin, and not bother to look for the $800 she had stashed in a bureau drawer? The case involves an awful lot of suspects—many of whose motives, unfortunately, are more obscure than good mystery-mongering requires—and an awful lot of burning trees. The dry season has descended on the area just west of Toussaint in a way that portends massive forest fires, some already burning ferociously. Were they started intentionally? Is Maddy’s murder somehow connected to them? Who is that enigmatic good guy so indistinguishable from a bad guy? Count on anvil-headed Du Pré to figure it all out.

Quirky dialogue, flamboyant people, the usual Du Pré fun. Bowen fans are doubtless inured by now to plots that go up in smoke.

Pub Date: April 15, 2002

ISBN: 0-312-28850-6

Page Count: 256

Publisher: Minotaur

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2002

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THE BIG BAD WOLF

As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir...

Dr. Alex Cross has left Metro DC Homicide for the FBI, but it’s business as usual in this laughably rough-hewn fairy tale of modern-day white slavery.

According to reliable sources, more people are being sold into slavery than ever before, and it all seems to be going down on the FBI’s watch. Atlanta ex-reporter Elizabeth Connolly, who looks just like Claudia Schiffer, is the ninth target over the past two years to be abducted by a husband-and-wife pair who travel the country at the behest of the nefarious Pasha Sorokin, the Wolf of the Red Mafiya. The only clues are those deliberately left behind by the kidnappers, who snatch fashion designer Audrey Meek from the King of Prussia Mall in full view of her children, or patrons like Audrey’s purchaser, who ends up releasing her and killing himself. Who you gonna call? Alex Cross, of course. Even though he still hasn’t finished the Agency’s training course, all the higher-ups he runs into, from hardcases who trust him to lickspittles seething with envy, have obviously read his dossier (Four Blind Mice, 2002, etc.), and they know the new guy is “close to psychic,” a “one-man flying squad” who’s already a legend, “like Clarice Starling in the movies.” It’s lucky that Cross’s reputation precedes him, because his fond creator doesn’t give him much to do here but chase suspects identified by obliging tipsters and worry about his family (Alex Jr.’s mother, alarmed at Cross’s dangerous job, is suing for custody) while the Wolf and his cronies—Sterling, Mr. Potter, the Art Director, Sphinx, and the Marvel—kidnap more dishy women (and the occasional gay man) and kill everybody who gets in their way, and quite a few poor souls who don’t.

As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir the slightest sympathy.

Pub Date: Nov. 5, 2003

ISBN: 0-316-60290-6

Page Count: 400

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2003

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THE NEVER GAME

For once Deaver takes more effort to establish his hero’s bona fides than to give him a compelling and logical plot. The...

Veteran thrillmeister Deaver kicks off a new series about a man who collects rewards for a living.

Don’t call Colter Shaw a private eye, or a freelance investigator, or even a soldier of fortune, though his job includes elements of all three. The son of a cranky survivalist who died years ago amid suspicious circumstances, light-footed Shaw has returned close to his childhood home in the Bay Area in the hope of claiming the $10,000 Frank Mulliner is offering for the return of his daughter, Sophie, a college student who stormed out after the two of them fought over the FOR SALE sign outside his house and hasn’t been seen since. Shaw, who has the cool-headed but irritating habit of calculating the numerical odds on every possibility, thinks there’s a 60 percent chance that Sophie’s dead, “murdered by a serial killer, rapist or a gang wannabe.” Even though he accepts rewards only for rescues, not recoveries, he begins sorting through the scant evidence, quickly gets a hot lead about Sophie’s fate, and just as quickly realizes that Detective Dan Wiley, of the Joint Major Crimes Task Force, should have followed exactly the same clues days ago. (The rapidly shifting relations between Shaw and the law, in fact, are a particular high point here.) The day after Shaw’s search for Sophie comes to a violent end, he’s already, in the time-honored manner of Deaver’s bulldog heroes (The Burial Hour, 2017, etc.), on the trail of a second abduction, that of LGBT activist Henry Thompson. Readers who haven’t skipped the prologue will know that still a third kidnap victim, very pregnant Elizabeth Chabelle, will need to be rescued the following day. Thompson’s grief-stricken partner, Brian Byrd, tells Shaw, “It’s like this guy’s playing some goddamn sick game”—a remark Deaver’s fans will know to give just as much weight as Shaw himself does.

For once Deaver takes more effort to establish his hero’s bona fides than to give him a compelling and logical plot. The results are subpar for this initial installment but more encouraging for the promised series.

Pub Date: May 14, 2019

ISBN: 978-0-525-53594-2

Page Count: 416

Publisher: Putnam

Review Posted Online: March 2, 2019

Kirkus Reviews Issue: March 15, 2019

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