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JUNIUS AND ALBERT'S ADVENTURES IN THE CONFEDERACY

A CIVIL WAR ODYSSEY

Carlson has taken full advantage of abundant material to deliver a vivid chronicle of two working Civil War reporters and...

A rollicking story of imprisonment and escape during the Civil War seems a stretch, but journalist Carlson accomplished a similar feat with a Soviet premier in K Blows Top: A Cold War Comic Interlude Starring Nikita Khrushchev, America's Most Unlikely Tourist (2009), and this is another entertaining, occasionally gruesome account.

The author describes how New York Tribune reporters Junius Brown and Albert Richardson covered the war for two years until Confederate artillery sunk their boat as they tried to sail past Vicksburg, Miss., to join Gen. Grant’s forces in May 1863. Confederate troops rescued the survivors. As civilians, they were paroled in Vicksburg until Confederate officials, knowing the two worked for the abolitionist newspaper, reconsidered. Protesting loudly, they traveled with other POWs by train across the South to Richmond to spend nine months in the notorious Libby and Castle Thunder prisons, furiously pulling strings for their release, sharing the soldiers’ experiences but shielded from serious privation by an apparently steady source of money. In February 1864, they were sent to the far worse Salisbury camp in North Carolina, where they watched with horror as Union prisoners, with no shelter and little food, died by the thousands. Finally escaping in December, they walked more than 300 miles, hungry and freezing, through snowy mountains to Northern lines in Tennessee, aided by a surprisingly large number of Union sympathizers, black and white. Being journalists, they had plenty to say about their exploits.

Carlson has taken full advantage of abundant material to deliver a vivid chronicle of two working Civil War reporters and their spectacular odyssey.

Pub Date: May 28, 2013

ISBN: 978-1-61039-154-2

Page Count: 288

Publisher: PublicAffairs

Review Posted Online: Feb. 26, 2013

Kirkus Reviews Issue: March 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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