Deft and probing, with stunningly close-up glimpses of a maniac’s ascendancy.
Penetrating biography of a man once on such intimate terms with Hitler that his son would know the Holocaust’s progenitor as “Uncle Dolph.”
Dubbed “Putzi,” an affectionate nickname from his American mother that haunted his entire adult life, Ernst Hanfstaengl was born in 1887 to a prominent Bavarian family engaged in publishing reproductions of fine art. He struggled academically at Harvard, though he was well liked as a bon vivant and party pianist, but managed to graduate in 1909. Running the family’s New York gallery, he became an acquaintance of Franklin Delano Roosevelt’s through the Harvard Club. The stage was thus set for a fascinating double life, notes Conradi, deputy foreign editor of the London Times. By 1921, Putzi had married Helene Neimeyer, daughter of German immigrants, and they had a son, Egon, but he was at odds with an older brother and decided to return home. Urged by a friend to hear Hitler speak, Hanfstaengl sensed that a country in turmoil was prone to Nazism’s lures. He joined Hitler’s entourage as a “civilizing” tutor, piano-therapist (playing Hitler’s favorite Wagnerian themes), and sometime pimp (he often worried about the leader’s lack of a sex life); later he became the party’s foreign press liaison. Fleeing the failed 1923 Munich Beer Hall putsch, Hanfstaengl made for Austria while Hitler went to Putzi’s country house, where Helene and Egon were waiting. The police followed, and Hitler attempted suicide, but Helene, upon whom the Fuehrer had an obsessive, lap-dog crush, literally knocked the pistol out of his mouth, thus securing his place in history. Finally repelled by Hitler’s extremism, Putzi (divorced by his wife in 1936) narrowly escaped the Reich in 1937, ultimately becoming a key figure in FDR’s psy-war Project S.
Deft and probing, with stunningly close-up glimpses of a maniac’s ascendancy.Pub Date: Aug. 1, 2004
ISBN: 0-7867-1283-X
Page Count: 352
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2004
BOOK REVIEW
BOOK REVIEW
Expanded from a New Yorker article, this long-winded if well-informed tale has less to do with John Laroche, the “thief,” than it does with our author’s desire to craft a comprehensive natural and social history of what the Victorians called “orchidelirium.” Orlean (Saturday Night, 1990) piles anecdote upon detail upon anecdote—and keeps on piling them. Laroche, who managed a plant nursery and orchid propagation laboratory for the Seminole tribe of Hollywood, Fla., was arrested, along with three tribesmen, in 1994 for stealing rare orchids——endangered species——from the Fakahatchee Strand State Preserve. He had intended to clone the rarer ones (in particular, the so-called “ghost orchid”) and sell them on the black market. Always a schemer and an eccentric hobbyist (old mirrors, turtles, and Ice Age fossils all fascinated him), Laroche figured he’d make millions. Found guilty, he was fined and banned from the Fakahatchee; the Seminoles, ostensibly exempt under the “Florida Indian” statute concerning the use of wildlife habitats, pled no contest. But Laroche’s travails form only the framework for Orlean’s accounts of famous and infamous orchid smugglers, hunters, and growers, and for her analyses of the mania for “the most compelling and maddening of all collectible living things.” She traces the orchid’s arrival in the US to 1838, when James Boott of London sent a tropical orchid to his brother in Boston. That collection would eventually be housed at Harvard College. Orlean includes passages on legendary hunter Joseph Hooker, eventually director of the Royal Botanical Gardens; on collectors, such as the man who kept 3,000 rare orchids atop his Manhattan townhouse; and of other floral fanatics. Enticing for those smitten with the botanical history of this “sexually suggestive” flower. As for everyone else, there’s little or no narrative drive to keep all the facts and mini-narratives flowing. (Author tour)
Pub Date: Jan. 1, 1999
ISBN: 0-679-44739-3
Page Count: 320
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1998
Not as focused as Just Kids, but an atmospheric, moody, and bittersweet memoir to be savored and pondered.
Iconic poet, writer, and artist Smith (Just Kids, 2010, etc.) articulates the pensive rhythm of her life through the stations of her travels.
Spending much of her time crouched in a corner table of a Greenwich Village cafe sipping coffee, jotting quixotic notes in journals, and “plotting my next move,” the author reflects on the places she’s visited, the personal intercourse, and the impact each played on her past and present selves. She describes a time in 1978 when she planned to open her own cafe, but her plans changed following a chance meeting with MC5 guitarist Fred Sonic Smith, who swiftly stole and sealed her heart with marriage and children. A graceful, ruminative tour guide, Smith writes of traveling together with Fred armed with a vintage 1967 Polaroid to Saint-Laurent-du-Maroni in northwest French Guiana, then of solitary journeys to Frida Kahlo’s Mexican Casa Azul and to the graves of Sylvia Plath, Jean Genet, and a swath of legendary Japanese filmmakers. After being seduced by Rockaway Beach in Queens and indulgently purchasing a ramshackle bungalow there, the property was destroyed by Hurricane Sandy—though she vowed to rebuild. In a hazy, often melancholy narrative, the author synchronizes past memories and contemporary musings on books, art, and Michigan life with Fred. Preferring to write productively from the comfort of her bed, Smith vividly describes herself as “an optimistic zombie propped up by pillows, producing pages of somnambulistic fruit.” She spent seasons of lethargy binge-watching crime TV, arguing with her remote control, venturing out to a spontaneous and awkward meeting with chess great Bobby Fischer, and trekking off to interview Paul Bowles in Tangiers. No matter the distance life may take her, Smith always recovers some semblance of normalcy with the simplistic pleasures of a deli coffee on her Gotham stoop, her mind constantly buoyed by humanity, art, and memory.
Not as focused as Just Kids, but an atmospheric, moody, and bittersweet memoir to be savored and pondered.Pub Date: Oct. 6, 2015
ISBN: 978-1-101-87510-0
Page Count: 272
Publisher: Knopf
Review Posted Online: July 6, 2015
Kirkus Reviews Issue: Aug. 1, 2015
SEEN & HEARD
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