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THE RAINMAN'S THIRD CURE

AN IRREGULAR EDUCATION

Presented with so many well-defined faces, there’s guaranteed to be at least one Coyote, and probably more, that readers...

An imperious and flawed father figure looms large in Coyote’s artfully rendered chronicle of his intriguing journey from confused, privileged youth to enlightened Zen practitioner.

Not long ago, Coyote, international screen star and veteran countercultural revolutionary, had a transcendental experience that he had arguably been searching for his entire life. But while the author’s Buddhist practice is a vital component of his often descriptively brilliant biographical odyssey, it is by no means the only one. Coyote’s story, the follow-up to Sleeping Where I Fall (1998), is as much about a boy’s initial introduction to the great wide world as it is about one complex human being’s lifelong hunger for inner meaning. Coyote presents a fascinatingly intricate portrait of what it was like being the peculiar scion of wealth and power. As a child, the young Peter Cohon found himself languishing in neglect, floating in the staid world of his conflicted parents, Morris and Ruth. Soon, however, he was propelled headlong into a parallel existence where he met lively figures hired to run the family’s Turkey Hill farm and Englewood, New Jersey, abode. “For the next ten years [caretaker] Susie Howard was the North Star around which my heavens revolved.” The impressionable young boy eventually encountered jazz legends, intellectual radicals and rough-hewn outdoorsmen. In addition to an imposing gangster uncle, each of these individuals managed to shape the boy who would later become not only a central figure in America’s nascent youth movement, but also a dusty pioneer in communal living, a left-wing rabble-rouser working inside the political system, and a struggling father trying to support a family with a heroin monkey on his back. Astonishingly, well into middle age, the author accomplished another remarkable turn, evolving into the well-respected film actor many know him as today.

Presented with so many well-defined faces, there’s guaranteed to be at least one Coyote, and probably more, that readers enjoy meeting.

Pub Date: April 14, 2015

ISBN: 978-1-61902-496-0

Page Count: 288

Publisher: Counterpoint

Review Posted Online: Jan. 20, 2015

Kirkus Reviews Issue: Feb. 1, 2015

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THE IMMORTAL LIFE OF HENRIETTA LACKS

Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...

A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.

In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.

Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.

Pub Date: Feb. 9, 2010

ISBN: 978-1-4000-5217-2

Page Count: 320

Publisher: Crown

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Jan. 1, 2010

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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