A savvy, mind-expanding outer-space tale that imbues a familiar premise with suspense.
In Dingus’ SF novel, a ruthless company that controls Earth risks war with an alliance of outer-planet colonies over control of an alien sphere.
The author sets this space-faring tale in the year 2240, well after Earth has been taken over by the amoral, profit-driven mega-capitalists who ruined it. A Saturn Commonwealth of human colonies in deep space maintain a free democracy. Miner Serena Roe works on Commonwealth territory; she was once a forced-conscript in the hated company’s military wing, and her body still carries advanced cybernetics, which were supposedly deactivated after she received a discharge for refusing to commit atrocities against Mars labor-union rebels. Serena is still employed by the same company, and on duty belowground on Saturn’s largest moon, Titan, when she witnesses a deliberate explosion and survives an assassination attempt. It turns out that a ruthless company executive has learned of “the artifact”—an uncanny, physics-defying alien sphere under Titan’s surface. Intending to weaponize the object’s technology, the company sends warships to seize the Commonwealth land, as the artifact itself seems immovable. Meanwhile, Serena finds herself drawn to the sphere, as her supposedly offline implants curiously respond to it—and she hasn’t forgotten that “Somebody wants me dead, me in particular.” Dingus includes many familiar ingredients in this first-contact SF scenario; the sphere, for instance, calls to mind Arthur C. Clarke’s “monolith” in 2001: A Space Odyssey (1968). However, this story becomes more of a military-intrigue thriller as murderous forces of the company go up against the outgunned but resourceful fleet of the Commonwealth—space-born folk who, à la Robert A. Heinlein’s work, have become a wiser culture than the materialist bullies back on Earth. Their conflict provides nail-biting moments, almost elbowing aside content about the wondrous alien whatsit and its purpose, which may remind readers of Carl Sagan’s Contact (1985). Like Sagan and Clarke, Dingus is a scientist, and he brings a sense of verisimilitude to the unearthly epic without overwhelming the narrative with technological jargon; he also conjures a tough, sympathetic main character.
A savvy, mind-expanding outer-space tale that imbues a familiar premise with suspense.Pub Date: Jan. 14, 2024
ISBN: 9798989220007
Page Count: 329
Publisher: SpeculativeFictionReview.com
Review Posted Online: May 29, 2024
Kirkus Reviews Issue: July 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
