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THERE’S A RIOT GOING ON

REVOLUTIONARIES, ROCK STARS, AND THE RISE AND FALL OF ’60S COUNTER-CULTURE

A top-flight interpretation of a time, its music and its strange doings—which still look pretty good compared to now.

A fan’s lucid notes on a time when the hope or fear, depending on one’s viewpoint, of “a violent assault on the established order” occupied minds, megaphones and microphones.

British chronicler Doggett (The Art & Music of John Lennon, 2005, etc.), who is just old enough to remember the ’60s, is comfortable looking at the time through a kaleidoscope and reporting his visions in straightish lines—not easy, given its myriad madcap qualities. Among his exhibits: Allen Ginsberg, who wondrously declared that he would use language to end the Vietnam War (“The poet says the whole war’s nothing but black magic caused by wrong language & authoritatively cancels all previous magic formulas & wipes out the whole war scene without further delay”); Black Panther strategists who studied the lyrics of the man they called Bobbie Dylan as if Talmud, trying to penetrate the honky mind; Abbie Hoffman, howling “Fuck Lyndon Johnson! Fuck Robert Kennedy! And fuck you if you don’t like it!” to an audience of well-groomed liberals. The era made lots of people crazy. On the other hand, it snapped some into sanity, as when, in a marvelous moment, Doggett finds MC5 guitarist Wayne Kramer and singer-songwriter Tim Buckley stumbling into downtown Detroit during a race riot: “My first reaction was just like any red-blooded American kid: ‘Oh boy, a fire!’ But then I remembered what time it was in America.” Doggett dodges through the decade, noting that the Jefferson Airplane members were a pretty conservative lot (listen to “Crazy Miranda”) and giving Paul McCartney wry props for sort of making an effort at being political with his song “Give Ireland Back to the Irish,” which “was less incendiary than Lennon’s contributions to the debate, and even more banal.” Indeed, Doggett does not unduly lionize the rockers who stuck their noses into politics; as future media mogul David Geffen said when asked whether his clients were being monitored, “I don’t think Nixon cares very much.”

A top-flight interpretation of a time, its music and its strange doings—which still look pretty good compared to now.

Pub Date: Sept. 1, 2008

ISBN: 978-1-84767-180-6

Page Count: 608

Publisher: Canongate

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2008

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THE FIFTH RISK

As with nearly all of Lewis’ books, this one succeeds on so many levels, including as a well-written primer on how the...

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Lewis (The Undoing Project: A Friendship that Changed Our Minds, 2016, etc.) turns timely political reporting he published in Vanity Fair into a book about federal government bureaucracies during the first year of the Donald Trump presidency.

At first, the author’s curiosity about the relationship between individual citizens and massive federal agencies supported by taxpayer dollars did not lead him to believe the book would become a searing indictment of Trump. However, Lewis wisely allowed the evidence to dictate the narrative, resulting in a book-length indictment of Trump’s disastrous administration. The leading charge of the indictment is what Lewis terms “willful ignorance.” Neither Trump nor his appointees to head government agencies have demonstrated even the slightest curiosity about how those agencies actually function. After Trump’s election in November 2016, nobody from his soon-to-be-inaugurated administration visited federal agencies despite thorough preparation within those agencies to assist in a traditionally nonpartisan transition. Lewis primarily focuses on the Energy Department, the Agriculture Department, and the Commerce Department. To provide context, he contrasts the competent transition teams assembled after the previous elections of George W. Bush and Barack Obama. Displaying his usual meticulous research and fluid prose, the author makes the federal bureaucracy come alive by focusing on a few individuals within each agency with fascinating—and sometimes heartwarming—backstories. In addition, Lewis explains why each of those individuals is important to the citizenry due to their sometimes-arcane but always crucial roles within the government. Throughout the book, unforgettable tidbits emerge, such as the disclosure by a Forbes magazine compiler of the world’s wealthiest individuals list that only three tycoons have intentionally misled the list’s compilers—one of the three is Trump, and another is Wilbur Ross, appointed by Trump as Commerce Secretary.

As with nearly all of Lewis’ books, this one succeeds on so many levels, including as a well-written primer on how the government serves citizens in underappreciated ways.

Pub Date: Oct. 2, 2018

ISBN: 978-1-324-00264-2

Page Count: 256

Publisher: Norton

Review Posted Online: Oct. 1, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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SO YOU WANT TO TALK ABOUT RACE

A clear and candid contribution to an essential conversation.

Straight talk to blacks and whites about the realities of racism.

In her feisty debut book, Oluo, essayist, blogger, and editor at large at the Establishment magazine, writes from the perspective of a black, queer, middle-class, college-educated woman living in a “white supremacist country.” The daughter of a white single mother, brought up in largely white Seattle, she sees race as “one of the most defining forces” in her life. Throughout the book, Oluo responds to questions that she has often been asked, and others that she wishes were asked, about racism “in our workplace, our government, our homes, and ourselves.” “Is it really about race?” she is asked by whites who insist that class is a greater source of oppression. “Is police brutality really about race?” “What is cultural appropriation?” and “What is the model minority myth?” Her sharp, no-nonsense answers include talking points for both blacks and whites. She explains, for example, “when somebody asks you to ‘check your privilege’ they are asking you to pause and consider how the advantages you’ve had in life are contributing to your opinions and actions, and how the lack of disadvantages in certain areas is keeping you from fully understanding the struggles others are facing.” She unpacks the complicated term “intersectionality”: the idea that social justice must consider “a myriad of identities—our gender, class, race, sexuality, and so much more—that inform our experiences in life.” She asks whites to realize that when people of color talk about systemic racism, “they are opening up all of that pain and fear and anger to you” and are asking that they be heard. After devoting most of the book to talking, Oluo finishes with a chapter on action and its urgency. Action includes pressing for reform in schools, unions, and local governments; boycotting businesses that exploit people of color; contributing money to social justice organizations; and, most of all, voting for candidates who make “diversity, inclusion and racial justice a priority.”

A clear and candid contribution to an essential conversation.

Pub Date: Jan. 16, 2018

ISBN: 978-1-58005-677-9

Page Count: 256

Publisher: Seal Press

Review Posted Online: Oct. 8, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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