An undistinguished debut cozy. Though bandleader Duchin and old pro Wilson (Justice at Risk, 1999, etc.) know the score,...

BLUE MOON

An increasing worry to his pals (Jackie Kennedy, Joe DiMaggio, Truman Capote, George Plimpton et al.), society bandleader Peter Damon views his life darkly these days. He just can’t shake the post-homicidal blues that followed the murder of his wife two years ago. Now it’s October 1963, and Peter’s seesawing about a gig in San Francisco, a city dear to his departed Diana. “You must begin to let go,” lisps Truman Capote. “And finally say goodbye,” adds Jackie ever so gently. So Peter sets off for the posh Fairmont Hotel, booked there for three weeks by its chatelaine, Charlene Mitford Hogan Statz. Basking in the warmth of her welcome, Peter begins to relax until, glancing out a window, he sees (gulp) Diana! Later that night he sees her again—or her doppelgänger—this time in the arms of society scoundrel Terence Hamilton Collier III, a man about to dance his final foxtrot. With Peter at the piano, and the band in full attack, the lights of the Gold Room go out. When they come on again, Collier has an ice pick protruding from his chest. Did Diana’s double jam it in? Or was it one of a dozen others who cordially despised the late smoothie? It’s clearly a case for Hercules Platt, the LAPD’s lone black detective, and with Peter’s help he solves it in a manner dimly suggesting Dame Agatha’s artful Belgian.

An undistinguished debut cozy. Though bandleader Duchin and old pro Wilson (Justice at Risk, 1999, etc.) know the score, their playing’s flat.

Pub Date: Oct. 1, 2002

ISBN: 0-425-18645-8

Page Count: 320

Publisher: Berkley

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2002

Did you like this book?

No Comments Yet

ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

Did you like this book?

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Our Verdict

  • Our Verdict
  • GET IT

Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating
  • Kirkus Reviews'
    Best Books Of 2014

  • New York Times Bestseller

  • National Book Award Finalist

  • Pulitzer Prize Winner

ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

Did you like this book?

No Comments Yet
more