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THE ZHIVAGO AFFAIR

THE KREMLIN, THE CIA, AND THE BATTLE OVER A FORBIDDEN BOOK

A fast-paced political thriller about a book that terrified a nation.

The derring-do–packed history of “one of the first efforts by the CIA to leverage books as instruments of political warfare.”

In the 1940s, poet and translator Boris Pasternak (1890-1960) set out to write an epic of the “incredible time” during the years surrounding Russia’s revolution. The result was Doctor Zhivago, “a sad, dismal story,” as he put it, about a poet-physician and his personal and political trials during four decades of upheaval and repression. Washington Post national security editor Finn and teacher and translator Couvée chronicle the intrigue over the book’s publication in Europe, its initial reception and the vociferous opposition it generated in the Soviet Union. Though Pasternak anticipated significant censure, he insisted that his manuscript be smuggled to the Italian editor who agreed to publish it and serve as international agent. The book, Pasternak said, had “become the most important thing in my life.” He wanted it “to travel over the entire world…lay waste with fire the hearts of men.” An immediate best-seller in Italy in 1957, it was acclaimed in Germany, England and France; the following year, the microfilmed manuscript arrived at CIA headquarters. The CIA had long been translating, publishing and sending to Russia books with a “humanistic message” of freedom of opinion and personal respect. “Books were weapons” in the Cold War, the agency maintained. Although publishing Zhivago proved convoluted and frustrating, the agency managed to send several hundred copies to the 1958 World’s Fair in Brussels, where the Vatican Pavilion agreed to cooperate: From a table behind curtains at the back, Russian visitors eagerly grabbed their contraband. Soviet response was swift and crushing, intensifying after Pasternak was awarded the Nobel Prize for Literature in 1958. Denounced as a snob, a “bourgeois individualist” and a traitor, he was expelled from the prestigious writers’ union and shunned even by those he had considered friends; his long-suffering wife and mistress feared for their lives.

A fast-paced political thriller about a book that terrified a nation.

Pub Date: June 17, 2014

ISBN: 978-0-307-90800-1

Page Count: 368

Publisher: Pantheon

Review Posted Online: March 29, 2014

Kirkus Reviews Issue: April 15, 2014

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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