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THE INHERITANCE OF SHAME

A MEMOIR

Raw and unflinching: a powerful argument against conversion therapy as well as for the healing power of memoir.

The author exposes the wounds of his youth and how the therapy he sought out to heal them caused even graver harm.

“Remembering this brings me peace,” concludes Canadian writer Gajdics in his debut memoir, which lays bare the psychological fallout from personal trauma most everyone close to him urged him to forget. The youngest child raised in a strict Catholic household, at age 6 he was sexually abused by a stranger in a school bathroom. Though Gajdics was plagued by nightmares and panic attacks, his mother’s stoicism and father’s domineering demeanor prevented him from sharing his trauma. Prior to immigrating to Canada, both his Eastern European parents had survived the ravages of World War II at great cost: the author’s mother spent 34 months in labor and death camps, and his father lost his family early on; both looked to pass onto their children an unquestioning faith and silence as coping mechanisms. As he grew up, the author’s pain and guilt resulting from the abuse and its repression were only compounded as he realized he was gay. Turning to sex as a means of escape, Gajdics was soon ostracized by his family and left Vancouver to pursue writing. In 1989, seeking to quell his inner turmoil, Gajdics had the misfortune of being referred to Dr. Alfonzo, a crackpot clinician who believed he would “revolutionize the field of psychiatry by being the first psychiatrist to find a cure for homosexuality.” Much of the power of the author’s courageous account derives from his unsparing depiction of the years of horrifyingly degrading “primal therapy” that rendered him “an emotional bulimic,” his body “an earthquake” he felt “trapped inside,” as Alfonzo stripped him of his autonomy with an unorthodox, toxic mix of psychotropic drugs. Writing through his slow recovery not only led to Gajdics’ self-acceptance, but also helped his parents to open up about the atrocities of their childhoods as well.

Raw and unflinching: a powerful argument against conversion therapy as well as for the healing power of memoir.

Pub Date: May 16, 2017

ISBN: 978-1-941932-08-7

Page Count: 360

Publisher: Brown Paper Press

Review Posted Online: April 17, 2017

Kirkus Reviews Issue: May 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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