Gay’s aim seems to be the application of a scholar’s circumspection to the Mozart myth, and the best that can be said of the...
In the ‘60s, Yale historian Gay won a National Book Award for a history of the Enlightenment; for the third installment of the Penguin Lives he depicts the lightning career of its greatest musical mind.
Gay’s aim seems to be the application of a scholar’s circumspection to the Mozart myth, and the best that can be said of the book is that it establishes historical context with the efficiency so compressed a format demands. The worst that can be said is that it’s dry. That may be unavoidable, given the amount of information it has to convey in so brief a span. But the few excerpts from Mozart’s notoriously bawdy and scatological correspondence explode through Gay’s measured academic prose like a carnival at a Mass. He tries to remain evenhanded in treating the vexed subject of Mozart’s authoritarian father, but judicious citation does all the editorializing he needs. Leopold to Wolfgang, 1778: “You must with all your soul think of your parents’ welfare, otherwise your soul will go to the devil.” In general, Gay’s analysis of the orchestral music suffers from the effusion and imprecision of the amateur: “The dissonances and chromatic shifts Mozart so brilliantly deployed provided his astonished listeners with moments of simple poignancy or sheer delight…To experience them is to enjoy a spectacle of energy translated into beauty.” But he fares better with the operas, which are clearly his passion. And surprisingly, his austere demystification of the most overly dramatized episodes in Mozart’s life – the anonymous late commission of a Requiem Mass, his purported poisoning – imbue its end with even greater poignancy: fate and conspiracy are easier to assimilate than bad luck and incompetent doctors. One month music’s supreme genius was a healthy and productive 34-year-old; the next month, as it happened, he was dead.Pub Date: June 1, 1999
ISBN: 0-670-88238-0
Page Count: 176
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
BOOK REVIEW
Riveting and exquisitely crafted.
Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.
Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.
Riveting and exquisitely crafted.Pub Date: Jan. 19, 2010
ISBN: 978-0-06-621131-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2009
PERSPECTIVES
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