Further engaging tales from Gethers (The Cat Who Went to Paris, 1991, etc.) about travels and adventures with his worldly Scottish Fold cat, Norton. When Gethers (ex-publisher of Villard Books) decides to leave New York and the pressurized corporate world for life in a 300- year-old house in the south of France, his closest companions- -girlfriend Janis and feline Norton—waste no time in packing their bags. And so begins a yearlong odyssey abroad, where the threesome quickly become immersed in the French way of life. Gethers still has work commitments—writing this book, a screenplay, and a TV series. But he finds plenty of time for amusements (seeking out chateaus and cathedrals, etc.); eating fine food (enjoying the local cuisine becomes a favorite pastime for humans and feline alike); visiting Italy, Spain, and Holland; entertaining friends from the States; and bonding with other expatriates who ``all made the same choice we'd made—to leave one life behind and resettle in a French paradise.'' As always, Gethers and Janis are accompanied everywhere by their cat, who's welcomed with open arms by the cat- loving French (hotels provide Norton with complimentary room service; restaurants serve him delicacies, such as a marzipan mouse; and winemakers offer him his own bottles). Finally, the trio end their foreign idyll, returning to the US with a newfound joie de vivre. Witty and warmhearted—a delightful addition to the cat- fancier's bookshelf.

Pub Date: Sept. 15, 1993

ISBN: 0-517-59110-3

Page Count: 256

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1993

Did you like this book?

No Comments Yet

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Did you like this book?

Analyzing his craft, a careful craftsman urges with Thoreauvian conviction that writers should simplify, simplify, simplify.


New York Times columnist and editorial board member delivers a slim book for aspiring writers, offering saws and sense, wisdom and waggery, biases and biting sarcasm.

Klinkenborg (Timothy; or, Notes of an Abject Reptile, 2006), who’s taught for decades, endeavors to keep things simple in his prose, and he urges other writers to do the same. (Note: He despises abuses of the word as, as he continually reminds readers.) In the early sections, the author ignores traditional paragraphing so that the text resembles a long free-verse poem. He urges readers to use short, clear sentences and to make sure each one is healthy before moving on; notes that it’s acceptable to start sentences with and and but; sees benefits in diagramming sentences; stresses that all writing is revision; periodically blasts the formulaic writing that many (most?) students learn in school; argues that knowing where you’re headed before you begin might be good for a vacation, but not for a piece of writing; and believes that writers must trust readers more, and trust themselves. Most of Klinkenborg’s advice is neither radical nor especially profound (“Turn to the poets. / Learn from them”), and the text suffers from a corrosive fallacy: that if his strategies work for him they will work for all. The final fifth of the text includes some passages from writers he admires (McPhee, Oates, Cheever) and some of his students’ awkward sentences, which he treats analytically but sometimes with a surprising sarcasm that veers near meanness. He includes examples of students’ dangling modifiers, malapropisms, errors of pronoun agreement, wordiness and other mistakes.

Analyzing his craft, a careful craftsman urges with Thoreauvian conviction that writers should simplify, simplify, simplify.

Pub Date: Aug. 7, 2012

ISBN: 978-0-307-26634-7

Page Count: 224

Publisher: Knopf

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: June 15, 2012

Did you like this book?

No Comments Yet