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UNDER A DARKENING MOON

An engaging dystopian novel with elements of spiritualism and science fiction.

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In Heasley’s speculative novel, a family weathers the fallout of an unprecedented lunar event.

Jody Conque, an ex–Catholic priest–turned–satellite researcher, is staying with his mother in Massachusetts for a few weeks following the death of his father. His mother’s grief keeps him up at night, which is how he comes to observe the strange blurriness that seems to have enveloped the moon—caused by an asteroid, he surmises—and, later, the ghostly apparition of a girl. He wakes up the next morning to news stories saying that an unknown object has struck the dark side of the moon, kicking up dust in all directions. The president of the United States has declared a state of emergency for the next 24 hours until the dust burns up in the atmosphere. When the cloud arrives, the spectacle is unlike anything anyone has seen before: “The whole sky became an undulating array, with rivers of purple lava flowing between simmering peaks of green and pink rising downward toward them.” On the other side of the dust wall, however, humanity discovers the moon hasn’t returned to normal. Instead, it’s gone perfectly black; the time known as “moondark” has begun. With flights grounded, Jody drives his dad’s old Trans Am across the country to his home in California, where his wife, Haleh, and young daughter, Claire, are waiting. It quickly becomes clear that things have changed in grand and mysterious ways: Some people have slipped into comas, others are acting strangely, and strange specters—or “shimmers”—have been spotted along the coasts. When an accident waylays him in Boulder, Colorado, Jody learns that the truth of the moon’s alteration is more than science can explain—and he’s fated to play an important role in the coming disaster.

Over the course of the novel, Heasley offers prose that’s measured and painterly, as when Jody survives a collision with a train in a way that defies the laws of physics: “All went silent. He heard no horn from the train, no music from his car. The scene was playing in some strange reverse: the train was passing, very slowly, from right to left, and he was flying backward, away from it. At eye level, he saw the conductor, mouth agape, with his cell phone in hand.” The slow-boiling tale maintains an ominous tone that many will find to be reminiscent of the works of Stephen King. The characters, too, are memorably King-ian, including Jody’s bigoted elderly mother; his preternaturally sensitive daughter; and a paranormal investigator from the Navajo Nation. The author’s commitment to constructing a bedrock of realism goes a long way toward selling the novel’s fantastical elements, and the reader will be quickly drawn along with Jody into the mystery of it all. Although the story echoes many other dystopian tales (including the real-life experience of the Covid-19 pandemic), Heasley manages to carve out new territory for himself, constructing a story that feels very much its own.

An engaging dystopian novel with elements of spiritualism and science fiction.

Pub Date: Sept. 2, 2022

ISBN: 979-8-98675-740-7

Page Count: 339

Publisher: Manuscript

Review Posted Online: Sept. 2, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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PROPHET SONG

Captivating, frightening, and a singular achievement.

As Ireland devolves into a brutal police state, one woman tries to preserve her family in this stark fable.

For Eilish Stack, a molecular biologist living with her husband and four children in Dublin, life changes all at once and then slowly worsens beyond imagining. Two men appear at her door one night, agents of the new secret police, seeking her husband, Larry, a union official. Soon he is detained under the Emergency Powers Act recently pushed through by the new ruling party, and she cannot contact him. Eilish sees things shifting at work to those backing the ruling party. The state takes control of the press, the judiciary. Her oldest son receives a summons to military duty for the regime, and she tries to send him to Northern Ireland. He elects to join the rebel forces and soon she cannot contact him, either. His name and address appear in a newspaper ad listing people dodging military service. Eilish is coping with her father’s growing dementia, her teenage daughter’s depression, the vandalizing of her car and house. Then war comes to Dublin as the rebel forces close in on the city. Offered a chance to flee the country by her sister in Canada, Eilish can’t abandon hope for her husband’s and son’s returns. Lynch makes every step of this near-future nightmare as plausible as it is horrific by tightly focusing on Eilish, a smart, concerned woman facing terrible choices and losses. An exceptionally gifted writer, Lynch brings a compelling lyricism to her fears and despair while he marshals the details marking the collapse of democracy and the norms of daily life. His tonal control, psychological acuity, empathy, and bleakness recall Cormac McCarthy’s The Road (2006). And Eilish, his strong, resourceful, complete heroine, recalls the title character of Lynch’s excellent Irish-famine novel, Grace (2017).

Captivating, frightening, and a singular achievement.

Pub Date: Dec. 5, 2023

ISBN: 9780802163011

Page Count: 320

Publisher: Atlantic Monthly

Review Posted Online: Oct. 7, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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