Perfectly observed and tremendously moving: This will strike a resonant chord with parents everywhere.
Davies’ rigorously truthful examination of fatherhood explores the fallout from an abortion and the difficulties that follow a second pregnancy.
Prenatal tests suggest—but not conclusively—that something is very wrong with their unborn child, and an unnamed couple decides on an abortion. The next pregnancy proceeds normally until the baby turns blue on the delivery table and is whisked off to intensive care. Everything seems to be fine; their son comes home after four days, and they settle down to the sleep-deprived routine of life with an infant. But they panic when he cries, and when he does fall asleep, they stand outside his door listening to make sure he’s breathing. In a third-person narrative from the father’s point of view, Davies unsentimentally captures the mind-numbing tedium coupled with blinding love that new parents feel in prose as spare as it is emotionally resonant. When the boy’s preschool teacher “has concerns” even readers without children are likely to share the parents’ dread and anguish. The narrative moves briskly through key episodes: The son gets all kinds of physical and occupational therapy, the spouses go back to work (she’s at a university press, he’s a writer and teacher), their marriage is strained, the boy’s kindergarten teacher hints he might be autistic. His parents can’t bear to get him tested: “They’ve been afraid of tests for so long. All his life.” Their uncertainty over the abortion will never be resolved (references to Schrödinger’s cat abound), and the husband’s decision to volunteer as an escort at an abortion clinic infuriates his wife, who snarls, “You act like it happened to you!” It’s a tribute to Davies’ skill and sensitivity that we feel how much they still love each other despite bad sex, jealousies, and endless worry over their son. When they finally have him tested, the results are once again ambiguous, but they are learning to accept “his normal.” A radiant conclusion affirms the daunting cost and overwhelming rewards of raising a child.
Perfectly observed and tremendously moving: This will strike a resonant chord with parents everywhere.Pub Date: Jan. 5, 2021
ISBN: 978-0-544-27771-7
Page Count: 240
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Oct. 13, 2020
Kirkus Reviews Issue: Nov. 1, 2020
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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