by Peter Hook ‧ RELEASE DATE: Jan. 29, 2013
Electric transmissions from a bygone era, etched in blood by someone who was there in body and spirit.
The propulsive bass guitarist for Joy Division puts his fingers on the beating pulse of one of the U.K.’s most influential bands.
After the cinematic portrayals of the band’s tragic central figure Ian Curtis in the films 24 Hour Party People and Control, it’s easy to lose track of their central influences. In an unflinchingly honest memoir, Hook (The Hacienda: How Not to Run a Club, 2009) peels away the romantic sheen colored by its dark history and gives unfettered insight into the band’s origins and inspirations, as well as its comedies and tragedies. From Hook’s first vision of the Sex Pistols, the young musician-to-be was hooked. After recruiting mates Bernard Sumner and Stephen Morris, they sought out the sensitive, artistic Curtis to lead them forward. Hook captures his lead singer well: “A poetic, sensitive, tortured soul, the Ian Curtis of the myth—he was definitely that. But he could also be one of the lads—he was one of the lads, as far as we were concerned.” What the author does even better is to remember the whole outrageous scene, from the tabloid outcry over the band’s murky name to the explosive shows dominated by bands like The Clash and Throbbing Gristle. Even the expected recollection of writing “Love Will Tear Us Apart” comes with decidedly unexpected truths. From the manifold perils of life on the road to his ongoing guilt over the band’s treatment of Curtis, Hook never pulls a punch. Add in a comprehensive timeline and track-by-track notes on the band’s two sole albums, and this is required reading for anyone who ever felt moved by Joy Division’s cold, dark music.
Electric transmissions from a bygone era, etched in blood by someone who was there in body and spirit.Pub Date: Jan. 29, 2013
ISBN: 978-0-06-222256-5
Page Count: 416
Publisher: It Books/HarperCollins
Review Posted Online: Dec. 2, 2012
Kirkus Reviews Issue: Dec. 15, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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