A scientifically intriguing, dramatic, and challenging read.

THE DOOR-MAN

A historical novel that traces three generations of a New York family involved in a paleontological discovery.  

In 1917, there was a great celebration to honor the opening of the Central Park Reservoir, which received its water from a dammed lake that flooded the Catskills village of Gilboa. Wheelwright’s novel begins in 1993, when the city is decommissioning that same reservoir. Piedmont Livingston Kinsolver III is studying the park from his perch as a doorman at the St. Urban, a luxurious apartment building on Central Park West. He took the position in order to observe the actions of two St. Urban families—the Van Pelts and the DeAngeluses—and several employees at the nearby American Museum of Natural History, all of whom are historically connected to Gilboa. Kinsolver has some family secrets and scores to settle that are also connected to his Gilboa roots. The story rotates back and forth between the 1990s-set tale and the stories of two past generations of Kinsolver’s family. Running concurrent to the twisty tale of family sins is the complicated discussion of the fossils of the “Gilboa Tree,” remnants of an ancient forest believed to date back to the Devonian Period, 350 to 400 million years ago. There’s also an engaging subplot involving the amphibious lungfish—a creature that’s very similar to its Devonian ancestor—that has mysteriously appeared in the reservoir in the ’90s. Kinsolver is the first-person narrator of his own plotline and the third-person narrator of a historical saga that’s so complicated and full of characters and tangled relationships that readers will need great patience to keep track of them all despite the opening lineage chart. Overall, however, Wheelwright is a thoughtful, meticulous writer with a fondness for elegant, if rather lengthy, sentences, and his novel offers melancholic, philosophical musings on the frailties of one of Earth’s other successful species: Homo sapiens.

A scientifically intriguing, dramatic, and challenging read.

Pub Date: Jan. 31, 2022

ISBN: 978-1-953236-47-0

Page Count: 388

Publisher: Fomite

Review Posted Online: March 10, 2022

Kirkus Reviews Issue: June 1, 2022

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An alternately farcical and poignant look at family bonds.

THE SUMMER PLACE

When a family convenes at their Cape Cod summer home for a wedding, old secrets threaten to ruin everything.

Sarah Danhauser is shocked when her beloved stepdaughter announces her engagement to her boyfriend, Gabe. After all, Ruby’s only 22, and Sarah suspects that their relationship was fast-tracked because of the time they spent together in quarantine during the early days of the pandemic. Sarah’s mother, Veronica, is thrilled, mostly because she longs to have the entire family together for one last celebration before she puts their Cape Cod summer house on the market. But getting to Ruby and Gabe’s wedding might prove more difficult than anyone thought. Sarah can’t figure out why her husband, Eli, has been so distant and distracted ever since Ruby moved home to Park Slope (bringing Gabe with her), and she's afraid he may be having an affair. Veronica is afraid that a long-ago dalliance might come back to bite her. Ruby isn’t sure how to process the conflicting feelings she’s having about her upcoming nuptials. And Sam, Sarah’s twin brother, is a recent widower who’s dealing with some pretty big romantic confusion. As the entire extended family, along with Gabe’s relatives, converges on the summer house, secrets become impossible to keep, and it quickly becomes clear that this might not be the perfect gathering Veronica was envisioning. If they make it to the wedding, will their family survive the aftermath? Weiner creates a story with all the misunderstandings and miscommunications of a screwball comedy or a Shakespeare play (think A Midsummer Night’s Dream). But the surprising, over-the-top actions of the characters are grounded by a realistic and moving look at grief and ambition (particularly for Sarah and Veronica, both of whom give up demanding creative careers early on). At times the flashbacks can slow down the story, but even when the characters are lying, cheating, and hiding from each other, they still seem like a real and loving family.

An alternately farcical and poignant look at family bonds.

Pub Date: May 10, 2022

ISBN: 978-1-5011-3357-2

Page Count: 432

Publisher: Atria

Review Posted Online: Feb. 9, 2022

Kirkus Reviews Issue: March 1, 2022

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A curious fetishization of outsiders, outlaws, and the down-and-out.

THE RAVAGED

This debut novel from Walking Dead actor Reedus follows three thematically connected yet narratively unrelated people as they journey to find themselves.

Hunter, a heavily tatted Iraq War vet and self-proclaimed gearhead, attacks his boss at the bike shop after catching him kicking a dog. “Hunter was old school,” the narrator says, rough-hewn but with strong moral fiber and a heart of gold. After learning his father died in a “mysterious house fire” in California, Hunter hops on his Buell S1 motorcycle alongside his buddies Nugget and Itch for a cross-country haul to execute the will. Meanwhile, a wealthy 65-year-old executive named Jack is mugged while traveling aimlessly through South America, neither the first nor the last of his hardships. Jack abandoned his cushy, bloodless office lifestyle after his dying mother told him to “run and never look back,” words he continuously labors to unpack. Finally, Anne, an abused teenage girl in Tennessee, steals her father’s savings and .38 revolver and runs away from home, clobbering her brother upside the head with a cast-iron skillet when he tries to stop her. She connects with her friend Trot, and they join a community of train-hoppers. Co-written by Bill, the story reads like a pastiche of Robert Pirsig’s Zen and the Art of Motorcycle Maintenance and Jack Kerouac’s On the Road, the latter of which is name-dropped as “great” by multiple characters. Though occasionally hitting some beautiful imagery of the American heartland, Reedus falls victim to implausible dialogue—“Fabiola, you are reading me like a stock report,” Jack says—and overcooked language: “flesh the color of a high-dollar medium-roast coffee bean.” Frequently wordy summaries do little to develop the thinly sketched characters; we know nearly as much about them on Page 25 as on Page 250.

A curious fetishization of outsiders, outlaws, and the down-and-out.

Pub Date: May 10, 2022

ISBN: 978-1-09-416680-3

Page Count: 292

Publisher: Blackstone

Review Posted Online: March 16, 2022

Kirkus Reviews Issue: April 1, 2022

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