May’s poetic descriptions in this final installment of his Lewis trilogy alternate with the loutish behavior of the...
Back on Lewis Island, the quiet Hebrides outpost where he was born (The Lewis Man, 2013, etc.), murder keeps stalking Fin McLeod, late of the Edinburgh CID—this time accompanied by harrowing revelations about his own early years.
Emerging from a shelter where they’ve taken refuge from a passing storm, Fin and his childhood friend Whistler Macaskill realize that a bog burst has drained a nearby loch far enough to reveal the wreckage of a small airplane. From the insignia, they recognize the plane flown by their old friend Roddy Mackenzie, who disappeared 17 years ago. An ill-advised look into the plane’s cabin tells Fin that Roddy’s finally come home. The revelation of his death opens fresh wounds for the members of Amran, the band he’d played for, especially for singer Mairead Morrison, whose lovely image had been the symbol of its runaway success. The discovery means that Fin will have little time to do the job his old friend Kenny John Maclean has hired him for—rid the Red River Estate, which Kenny manages for the Wooldridge family, of the poachers who’ve overrun it—and even less to testify on behalf of the Rev. Donald Murray, the father of Fin’s newly discovered son Fionnlagh’s girlfriend, Donna, and the other grandfather to Donna’s baby, Eilidh. Church elders, unhappy that Donald stalked and shot the gangsters about to execute his wife and daughter, plan to remove him from the ministry of the Crobost Free Church. If only they knew how many other locals were walking around burdened by sins all the heavier for remaining hidden.
May’s poetic descriptions in this final installment of his Lewis trilogy alternate with the loutish behavior of the characters, who are constantly slapping, slugging and coshing each other. The mystery—really, the mysteries—are untidy, but the atmosphere is altogether magical.Pub Date: Feb. 3, 2015
ISBN: 978-1-62365-604-1
Page Count: 320
Publisher: Mobius
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
PROFILES
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Agreeably credible lovers and a neat piece of home-restoration compensate some for the hokey hauntings on the bayou. Loyal...
A gumbo seasoned with ghosts, love, and murder on the bayou.
When 30-something Declan Fitzgerald of Boston, a successful lawyer and a member of a large and loving family, breaks off his engagement to very suitable Jessica, he knows he needs to change his life. Lawyering is not fun anymore, so, recalling Manet Hall, an old deserted plantation house he once visited with law school classmate and New Orleans native Remy, he buys the property and moves down south. Declan is also a gifted craftsman, a born decorator, and very, very rich. Soon, he meets beautiful Lena, who’s visiting her grandmother Odette, Declan’s friendly Cajun neighbor. Declan is as certain that Lena is destined to be his wife as he was that Manet Hall would become his home. But, surprise, Lena has a troubled past (like the house) and is determined to resist Declan’s courtship. While he suits Lena and works on the place, Declan experiences troubling dreams. It seems he’s actually reliving the novel’s parallel story, which took place in 1899. In that year, the maid, Abbey Manet (from whom Lena, coincidentally, is descended, and who married wealthy Lucian Manet), was raped and murdered by her brother-in-law Julian as she nursed her baby daughter. Her body was dumped into the bayou by her mother-in-law, who despised her. And grief-stricken husband Lucian, away at the time, being told that Abbey had run off, committed suicide. Now, in an unconvincing twist of gender and reincarnation, it’s Declan who hears a baby crying , experiences childbirth and rape as the reincarnation of Abbey, while Lena is Lucian. The two accept all this with equanimity, and, Manet Hall’s secrets revealed, it becomes the setting for predictable and much foreshadowed resolutions.
Agreeably credible lovers and a neat piece of home-restoration compensate some for the hokey hauntings on the bayou. Loyal fans will enjoy.Pub Date: Oct. 1, 2001
ISBN: 0-399-14824-8
Page Count: 368
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2001
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