Uncorks as a bottle without much nose, leaving but brief bloom on the palate: it needed perhaps a little more breathing time...

A GOOD YEAR

A Good Year (as in wines) finds Mayle back in Provence, the region that inspired his famous nonfiction debut, A Year in Provence (1990), and his first novel, Hotel Pastis (1993).

After his immediate boss steals his best client just as a huge deal is about to go through, Max Skinner quits his job as a financial agent in London. On the same day he receives a notice from France that he’s inherited from his uncle Henry a farmhouse and 40-hectare vineyard in Provence. Best friend and former brother-in-law Charlie, a budding wine snob who has just made full partner at a real estate firm, lends deep-in-debt Max £10,000, tells him that small vineyards can put out very pricey wines, and sends him forth for six months in his new vineyard. The farmhouse is rundown, but Nathalie Auzet, the notaire who gives him its keys, is stunningly upscale, and young Fanny, who runs the local bistro, serves lusciously delicate meals along with her cleavage. For much of the tale, Max’s big loan from Charlie undercuts unease, distress, or suspense in the plotting; nor do Mayle’s mildly lyrical descriptions add much excitement. Max’s inherited label, Le Griffon, tastes like pipi de chat; even Max can’t drink it, and even Roussel, who oversees the vines and makes Le Griffon, calls it “a little naïve, a little unfinished around the edges.” Then we are led to the mysterious Le Coin Perdu, a Bordeaux from a vineyard too small even for wine tastings, a vineyard that can produce only 600 cases at $40,000 a case. Pricey? Pricey! Happily, Charlie the plummy-voiced snob soon returns and gives the novel an amusing lift. So who actually owns this small vineyard but doesn’t know that it produces an indescribably complex Bordeaux laced with Cabernet?

Uncorks as a bottle without much nose, leaving but brief bloom on the palate: it needed perhaps a little more breathing time when decanted.

Pub Date: June 3, 2004

ISBN: 0-375-40591-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2004

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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As usual, Patterson (Cradle and All, p. 262, etc.) provides a nonstop alternation of felonies and righteous retribution...

ROSES ARE RED

Who’s robbing all those banks and kidnapping all those people and killing all those accomplices? It’s somebody calling himself the Mastermind—a comic-book sobriquet that represents everything that’s wrong with the latest installment in Patterson’s Alex Cross franchise.

A young woman robs a bank in suburban Maryland and threatens to kill the manager’s family if she’s kept from meeting her timetable. She’s less than a minute late out the door, so the family dies. So does the robber. So do all the staff at a second bank after somebody tips the police off. Who could possibly be so ruthless? It’s the Mastermind, the evil genius who set up both robberies intending murder from the beginning—even warning the cops the second time. And robbing banks is only the beginning for the megalomaniac, who’s plotting a group abduction worth $30 million and a series of maneuvers that’ll feed his cat’s-paws to the police, or to the fishes. And since the Mastermind likes to see families suffer, he vows to take the war of nerves right to forensic psychologist Cross. But if he wants to ruin the D.C. detective’s life, he’ll have to stand in line, since Cross’s girlfriend Christine Johnson is pulling away from him and his daughter Jannie is suddenly having seizures. Despite his prowess with guns and fists, and his awesome insight into other people’s minds, Cross would be desperate if it weren’t for the timely embraces of FBI agent Betsey Cavalierre, to whom he’ll make passionate love while telling her, “I like being with you. A lot. Even more than I expected.” With an adversary like that, how can the Mastermind prevail?

As usual, Patterson (Cradle and All, p. 262, etc.) provides a nonstop alternation of felonies and righteous retribution unclouded by texture, thought, or moral complexity, to produce the speediest tosh on the planet.

Pub Date: Nov. 20, 2000

ISBN: 0-316-69325-1

Page Count: 400

Publisher: Little, Brown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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