by Peter N. Stearns ‧ RELEASE DATE: June 6, 1997
This leftist academic examination of our collective fascination with dieting depicts it as a manifestation of capitalist consumer culture duking it out with the secular remnants of puritanism. Stearns, founding editor of the Journal of Social History and a historian at Carnegie Mellon University (Millennium III, Century XXI, 1996, etc.) approaches our concern over personal poundage as a construct that, exceeding the demands of fashion or good health, can be understood only in larger cultural terms. We Americans relish the consumer goods with which we surround ourselves but feel a mite guilty about indulging in them. So we have contrived a way to—literally and figuratively—have our cake and eat it too: We diet. Focusing intensely on limiting caloric intake lets us feel virtuous and self-controlled even as we ignore our profligacy as consumers. We are not all equally affected; notably, from the 1920s to the 1960s ``weight morality bore disproportionately on women precisely because of their growing independence, or seeming independence, from other standards.'' In France, the other society considered, Stearns does not detect a view of weight loss as a moral crusade or fat as an outward sign of guilt. For Americans, rewards (a better job or social life) will come when they become thin and healthy; for the French, being thin and healthy is the reward. Interesting as the cross-cultural comparison is, one senses that its neat findings slight some untidy questions. For example, why does Stearns focus on the gender of the target of antifat comments but not on that of their source? To what extent are unattainable standards of slenderness invaluable in allowing people to devote a portion of each crowded day to self- absorption? Does that count as an expression of guilt? Those who agree with Stearns's premise from the first page will readily accept his illustrations as proof. Others may see this as an interesting study that suggests the complexity of a phenomenon more convincingly than it accounts for it. (15 illustrations, not seen)
Pub Date: June 6, 1997
ISBN: 0-8147-8069-5
Page Count: 310
Publisher: New York Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
Share your opinion of this book
More by Peter N. Stearns
BOOK REVIEW
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.