An observant medical thriller with intriguing potential.
In an intriguing but uneven debut thriller framed around family secrets and a passionate love affair, a medical researcher hits a disturbing roadblock when he requests permission to test his potentially groundbreaking cure for dementia on human subjects.
Self-absorbed and womanizing, Dr. Lloyd Copeland has gotten his dementia research to a crucial stage. Success with lab animals has led to the next step: approval for human testing. Lloyd is shocked when the review board at his medical facility questions the validity of his research and an autopsy report on a test mouse indicates fatal side effects. The originator of the report proves elusive, and signs begin pointing to sabotage. Complicating the plot—and the story’s continuity and consistency—is Erin, a beautiful medical ethicist who sits on the review board. Unfortunately, a jarring sophomoric tone in Lloyd’s personal and sexual relationships weakens the narrative. For instance, after a doctor friend tosses Erin and Lloyd into his backyard pool, Erin “casually” takes off her wet clothes, continues the visit in her bra and panties, and relishes “the way she was able to fluster” Lloyd. Characters repeatedly “smirk” and “pout.” Palmieri—a practicing physician—succeeds most strongly in rendering realistic medical settings and in his evocations of time and place: “He…picked up the Styrofoam cup and sat down in a booth of white Formica, chipped and scratched with countless initials, stained with cigarette burns.” Though some descriptive phrases create an unintentionally comical effect—“He grinned at her with clenched teeth as he gaped in those bottomless emerald eyes”—peripheral characters in particular come into the plot with deft brush strokes: At a Little League game, the “air was filled with the screams of overzealous parents whose voices carried like the jeers of huffy grackles. A red headed boy in the outfield held up his mitt to shade his eyes as he craned his neck back to look at the contrails of a high flying sic jet.” With another round of editing, revelations concerning lethal machinations and the family secret that propels Lloyd’s journey toward personal and professional redemption could have packed significant punch.
An observant medical thriller with intriguing potential.Pub Date: June 18, 2013
ISBN: 978-1484980767
Page Count: 314
Publisher: CreateSpace
Review Posted Online: Nov. 8, 2013
Review Program: Kirkus Indie
BOOK REVIEW
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.
Another surprise from an author who never writes the same novel twice.
Though Whitehead has earned considerable critical acclaim for his earlier work—in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)—he’ll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family’s summer retreat of New York’s Sag Harbor. “According to the world, we were the definition of paradox: black boys with beach houses,” writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There’s an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist’s eye for detail, craft of character development and analytical instincts for sharp social commentary.
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.Pub Date: April 28, 2009
ISBN: 978-0-385-52765-1
Page Count: 288
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
BOOK TO SCREEN
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