Way too much information on the love life, but an essential resource for coming to terms with a key figure in the Auden...
A life of writer/memoirist Isherwood that emulates its subject’s detachment but hardly his conciseness.
Best known for Berlin Stories, the basis for the Broadway play I Am a Camera and for the even more successful musical Cabaret, Isherwood (1904–86) deserves recognition for a wider body of work, argues Parker, a British historian and biographer (The Old Lie: The Great War and the Public School Ethos, not reviewed). Scion of landed gentry and son of a soldier killed in WWI, Isherwood, in early adulthood, embraced left-wing politics, pacifism, atheism, and homosexuality. In the 1930s, he achieved fame as arguably England’s most promising novelist and as collaborator with ex-schoolmate and sometime lover W.H. Auden on the plays The Dog Beneath the Skin and The Ascent of F6. His life later included a controversial move to America, with Auden, in 1939; a surprising conversion to Hinduism and brief commitment as a monk in the 1940s; thirty years as a Hollywood screenwriter; and lionization as “favorite uncle” to the post-Stonewall generation of gay authors that included Armistead Maupin and Edmund White. Access to Isherwood’s longtime companion Don Bechardy and friend Stephen Spender, as well as to the novelist’s astonishing collection of diaries and letters, enables Parker to pull back the curtain on a writer who on the surface was utterly candid. Charming, witty, and generous, Isherwood could also be narcissistic, bossy, drunken, and, most shockingly, anti-Semitic. Parker points to memoirs, further, that not only altered details but also faked or censored diary entries. Unfortunately, although he has bravely plunged into the forest of Isherwood documentation, Parker sometimes loses his way through sheer inclusiveness, citing his subject’s every quarrel and patch-up with his widowed mother, troubled brother, and lovers (an estimated 400 by age 44).
Way too much information on the love life, but an essential resource for coming to terms with a key figure in the Auden circle. (16-page photo insert, not seen)Pub Date: Dec. 14, 2004
ISBN: 1-4000-6249-7
Page Count: 1024
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2004
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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